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                <text>Mickelson, Duane</text>
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Offutt- Second Floor</text>
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                <text>The sculpture is a mixed media of welded steel and grapevine with an elongated and opening form that sits on a pedestal.</text>
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                <text>The sculpture is a mixed media of welded steel and grapevine with an elongated and opening form that sits on a pedestal. Th twisted form opens with an upward reaching motion of additional forms. There is emphasis placed on enhancing the natural qualities of the materials. &#13;
&#13;
From Karla Mickelson:&#13;
Night Dancer is one in a series of Night Dancers. A similar piece at the Plains Art Museum states, "... Depicting an anthropomorphic (human-like) figure dancing. Night Dancer is from a series of sculptures entitled Night Dancer. According to the artist, 'The series was inspired by an experience I had looking out the window of my home. A vulture appeared, soaring above the property in a very beautiful and lyrical manner, catching the air currents ... a dichotomy occurred to me. There was an interesting tension created between the beauty of form and movement, and the sense of foreboding that we associate with a vulture. I attempted to capture this dichotomy in the work.' "&#13;
&#13;
The wood is grape vine trunk from my cousin's vineyard in Fresno, California. We made a trip out to visit my cousin Sandra and her husband, Jon Marthedal. On arrival at their home Jon was in the process of cleaning out old and dead wood from the vineyard. There was a large pile that he was going to get rid of and Duane was mortified by the thought. He combed through the piles and pulled out several pieces that we shipped back home. The grape vine trunk appears in the Night Dancer series as well as in other sculptures. We have been to my cousin's home twice over the years and picked out grape vine trunks to bring home for future sculpture projects. &#13;
&#13;
 &#13;
&#13;
Duane loved the gnarly gestural quality of the grape vine trunks. If there were soft or rotting areas, to harden the wood, he would soak the pieces in linseed oil. &#13;
&#13;
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                <text>Notes: The scultpure sits on a wooden base. This piece was made in 2000. &#13;
&#13;
From Karla Mickelson:&#13;
 Night Dancer is one in a series of Night Dancers. A similar piece at the Plains Art Museum states, "... Depicting an anthropomorphic (human-like) figure dancing. Night Dancer is from a series of sculptures entitled Night Dancer. According to the artist, 'The series was inspired by an experience I had looking out the window of my home. A vulture appeared, soaring above the property in a very beautiful and lyrical manner, catching the air currents ... a dichotomy occurred to me. There was an interesting tension created between the beauty of form and movement, and the sense of foreboding that we associate with a vulture. I attempted to capture this dichotomy in the work.' "&#13;
&#13;
 &#13;
&#13;
The wood is grape vine trunk from my cousin's vineyard in Fresno, California. We made a trip out to visit my cousin Sandra and her husband, Jon Marthedal. On arrival at their home Jon was in the process of cleaning out old and dead wood from the vineyard. There was a large pile that he was going to get rid of and Duane was mortified by the thought. He combed through the piles and pulled out several pieces that we shipped back home. The grape vine trunk appears in the Night Dancer series as well as in other sculptures. We have been to my cousin's home twice over the years and picked out grape vine trunks to bring home for future sculpture projects. &#13;
&#13;
 &#13;
&#13;
Duane loved the gnarly gestural quality of the grape vine trunks. If there were soft or rotting areas, to harden the wood, he would soak the pieces in linseed oil. &#13;
&#13;
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>Notes: This is in a painted wood frame. </text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Knutson- Near Jones C/D</text>
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Knutson Center: Glenn and Dona Goff lounge near Parke Leadership</text>
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                <text>Notes: This piece is part of the Viola "Vi" Thompson '57 Collection</text>
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                <text>Notes: This piece is part of the Viola "Vi" Thompson '57 Collection</text>
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                <text>Insurance:</text>
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OSB; Barry reception, North wall</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>This woodcut print depicts a woman, a younger man and small child standing near a cow.</text>
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Kathleen Ristinen was born at home in Menahga, MN in 1936; she graduated from Menahga High School in 1954 and attended Concordia College, Moorhead, MN (BA 1957).  She has an M.A. (ceramics) from the University of Iowa and a Ph.D. in Interdisciplinary Art from Ohio University, Athens, OH.  She has also studied photography, sculpture, hot glass, organ and harpsichord.  She taught several courses at Ohio University including Humanities, Art Theory, and Art History.  She is an artist specializing in printmaking, primarily woodcuts based on personal and family photographs.  Her prints have earned awards and recognition in several competitive and invitational exhibitions are included in public and private collections.  Her ceramic work focuses on wheel thrown, functional stoneware.  She held an organist position for over ten years.  She has also studied the Finnish language extensively, serving as secretary of the SISU Finnish Language &amp; Culture Seminar from 1998-2018.  She was married to printmaker and Ohio University professor Abner Jonas for more than sixty years before his death in 2017; they are the parents of two sons.  She divides her time between homes and studios in Athens, OH and rural Becker County Minnesota</text>
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                <text>Maintenance:</text>
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                <text>This piece is part of the Viola "Vi" Thompson '57 Collection.</text>
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This piece was accessioned in February 2019</text>
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                <text>Donor: Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year).</text>
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                <text>Value: $700</text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Knutson Center: Glenn and Dona Goff lounge near Parke Leadership</text>
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                <text>Notes: This piece is part of the Vi Thompson Collection</text>
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Accessioned in February 2019</text>
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                <text>Value:</text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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OSB; Barry reception, North wall</text>
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                <text>Notes: This piece is part of the Vi Thompson Collection</text>
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                <text>This piece is part of the Viola "Vi" Thompson '57 Collection.</text>
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                <text>Donor: Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). </text>
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                <text>Value: $800</text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>2019.4.29</text>
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Lorentzsen 250 President's Office</text>
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                <text>This intaglio print depicts a shaded pathway leading to small church.</text>
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                <text>Notes:This piece is part of the Vi Thompson collection</text>
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                <text>Condition Report: Excellent 2019</text>
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                <text>Condition History: Framed and matted in 2019</text>
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                <text>This piece is part of the Viola "Vi" Thompson '57 Collection.</text>
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            <name>Contributor</name>
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                <text>Donor: Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). </text>
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                <text>Value: $800</text>
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                <text>Insurance:</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>The woodcut print depicts the perspective from riding in a boat. </text>
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            <description>An account of the resource</description>
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                <text>The woodcut print depicts the perspective from riding in a boat. Beyond the edge, is a misty background with light blue water and a view of the looming silhouettes of distant buildings.</text>
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Grant Center 100A(maple slat wall in open atrium area, west wall</text>
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                <text>Tomb 29, Plan</text>
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                <text>Running, Cyrus</text>
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                <text>Notes: This is in a painted wood frame. The frame is blue.&#13;
Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. &#13;
&#13;
In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” </text>
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                <text>Condition History:</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs:</text>
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                <text>Concordia College Art Collection </text>
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                <text>Value:</text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Academy-Room 312</text>
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                <text>Notes:&#13;
Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. &#13;
&#13;
In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” </text>
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                <text>Condition Report: Good (2019)</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs: </text>
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                <text>Concordia College Art Collection </text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>1111.541.10</text>
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Academy-Room 307</text>
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