19 10 412 https://ccartcollection.concordiacollegearchives.org/files/original/bef9cd597052054b336e9848246be708.jpg 1140bdd0e2ac5a12afa7049a0a77a28a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil Painting Physical Dimensions The actual physical size of the original image 20 x 36 Inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (City by Body of Water) Subject The topic of the resource The oil painting depicts an abstracted view of overlapping geometric shapes in varying shades of blue. Description An account of the resource The oil painting depicts an abstracted view of overlapping geometric shapes in varying shades of blue. There is emphasis placed upon texturizing the paint. Creator An entity primarily responsible for making the resource Nelson, Frieda Source A related resource from which the described resource is derived Notes: This is in a 2 piece painted wood frame, used to be in the Admissions office Condition Report: Good (2019) Condition History: Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.189.10 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Academy-Room 307 https://ccartcollection.concordiacollegearchives.org/files/original/47af29f3dc999a49aa9c71a6ac69edf1.jpg 22dab75b40a85a35481d4b673eb7481e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Stoneware Physical Dimensions The actual physical size of the original image 12.25 x 5.50 x 13.5 Inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prehistoric Bird II Creator An entity primarily responsible for making the resource Holen, Norman Source A related resource from which the described resource is derived Notes: sculpture by Norman Holen ‘59 that were purchased with a 2018 gift from Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). From Norm Holen: I was a professor of art for 40 years, 38 of which were at Augsburg University in Minneapolis, Minnesota. I received my Bachelor of Arts degree from Concordia College in Moorhead, Minnesota, in 1959, and my Master of Fine Arts degree from the University of Iowa in Iowa City, Iowa, in 1962. I am also a professor emeritus at Augsburg University. I have created sculpture, drawings, and pottery and have been in numerous exhibitions in various venues, including a one-person exhibitions in the Kresge Gallery at the Minneapolis Institute of Arts, and group shows at the National Gallery in Washington, D.C., and the Port of History Museum in Philadelphia. I have participated in a great number of competitive exhibitions and have won national and international awards. I have judged many state and national shows. I have written a series of articles in art magazines such as the International Sculpture Magazine, the Artist’s Magazine, American Artist, Clay Times, and Pottery Making Illustrated. My work is also seen in books such as the National Sculpture Society Celebrates the Figure by Jean Henry, Sculpture: Technique, Form, Content by Arthur Williams, and the Sculpture Reference by Arthur Williams. I am in several biographical books including Who’s Who in America, Who’s Who in American Art, and Outstanding Educators of America. I also received the Alumni Achievement Award from Concordia College in 1985 My memoir, “Holen Chronicle,” data, and images of my art pieces are included in the archives of the Minnesota Historical Society, St. Paul, MN, the Red River Valley Genealogical Society in Fargo, ND, and the Norwegian American Genealogical Center in Madison, Wisc. The Minnesota Historical Society also has my poem book, “Circle of Feathers,” and two of my tools and splints that my physically challenged students used in my art classes at Augsburg University. Condition Report: Excellent (2019) Condition History: Maintenance: Installation Needs: Placed on a pedestal with a plexiglass vetrine. Publisher An entity responsible for making the resource available Concordia College Art Collection This piece is part of the Viola "Vi" Thompson '57 Collection. Date A point or period of time associated with an event in the lifecycle of the resource The piece was acquired in December 2018. The piece was accessioned January 24, 2019. Contributor An entity responsible for making contributions to the resource Donor: sculpture by Norman Holen ‘59 that were purchased with a 2018 gift from Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). Value: 1600 Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 2019.2.25 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm OSB; Barry reception area, East wall Subject The topic of the resource The sculpture depicts a minimalist form of a bird on a circular wooden base. Description An account of the resource The sculpture depicts a minimalist form of a bird on a circular wooden base. The bird is shaped with its eyes looking backward. https://ccartcollection.concordiacollegearchives.org/files/original/9fd65f339f63407b87d0b24b0d1e025b.jpg 513b48b1ad691cd8ddf3fc0fb2a24736 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Bronze Sculpture Physical Dimensions The actual physical size of the original image 12.25 x 5.50 x 13.5 Inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Burrowing Owl Creator An entity primarily responsible for making the resource Holen, Norman Source A related resource from which the described resource is derived Notes: From Norm Holen: I was a professor of art for 40 years, 38 of which were at Augsburg University in Minneapolis, Minnesota. I received my Bachelor of Arts degree from Concordia College in Moorhead, Minnesota, in 1959, and my Master of Fine Arts degree from the University of Iowa in Iowa City, Iowa, in 1962. I am also a professor emeritus at Augsburg University. I have created sculpture, drawings, and pottery and have been in numerous exhibitions in various venues, including a one-person exhibitions in the Kresge Gallery at the Minneapolis Institute of Arts, and group shows at the National Gallery in Washington, D.C., and the Port of History Museum in Philadelphia. I have participated in a great number of competitive exhibitions and have won national and international awards. I have judged many state and national shows. I have written a series of articles in art magazines such as the International Sculpture Magazine, the Artist’s Magazine, American Artist, Clay Times, and Pottery Making Illustrated. My work is also seen in books such as the National Sculpture Society Celebrates the Figure by Jean Henry, Sculpture: Technique, Form, Content by Arthur Williams, and the Sculpture Reference by Arthur Williams. I am in several biographical books including Who’s Who in America, Who’s Who in American Art, and Outstanding Educators of America. I also received the Alumni Achievement Award from Concordia College in 1985 My memoir, “Holen Chronicle,” data, and images of my art pieces are included in the archives of the Minnesota Historical Society, St. Paul, MN, the Red River Valley Genealogical Society in Fargo, ND, and the Norwegian American Genealogical Center in Madison, Wisc. The Minnesota Historical Society also has my poem book, “Circle of Feathers,” and two of my tools and splints that my physically challenged students used in my art classes at Augsburg University. Condition Report: Excellent (2019) Condition History: Maintenance: Installation Needs: The sculpture will be on a pedestal under a vitrine. Publisher An entity responsible for making the resource available Concordia College Art Collection This piece is part of the Viola "Vi" Thompson '57 Collection. Contributor An entity responsible for making contributions to the resource Donor: sculpture by Norman Holen ‘59 that were purchased with a 2018 gift from Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). Value: Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Date A point or period of time associated with an event in the lifecycle of the resource The piece was acquired in December 2018. The piece was accessioned into the collection on January 24, 2019. Identifier An unambiguous reference to the resource within a given context 2019.1.17 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm OSB; Barry reception area, East wall Subject The topic of the resource This is a bronze sculpture of an owl on a wooden base. Description An account of the resource This is a bronze sculpture of an owl on a wooden base. The owl stands on two spindly legs and gazes out at the viewer. https://ccartcollection.concordiacollegearchives.org/files/original/f8ed050af4d5fe0da309b966dcfa51b4.jpeg 47182d6a628eb41ee2fab567ad223f19 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching Physical Dimensions The actual physical size of the original image 17.5x11.5 inches (image) | 26.25x20.25 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Bishop in the Window Creator An entity primarily responsible for making the resource Marx, Robert Identifier An unambiguous reference to the resource within a given context 2018.16.29 Subject The topic of the resource The print depicts the profile of figure's face wearing a bishop's hat. Source A related resource from which the described resource is derived Notes: It is in a silver metal frame with glass. Marx was part of Concordia's Class of 1979. The piece is part of the Art Department Collection. Robert Marx was born in Nordheim, Germany in 1925. He studied at the University of Illinois and Concordia College and traveled to Germany, Austria, Italy, Switzerland and France during his life time. During his travels he received much inspiration for works later in his life. Currently he lives in New York. From the artist's statement: "The people I draw, paint and sculpt personify the human condition. They are also the people we see around us, every day. I have favorite themes. I am troubled by: the arrogance of power, the exclusivity of the institutions of church and state, the abuse of and by both spouse and child, and our own and others' personal fears and insecurities... I work not only for myself, but also to make a connection with you." Condition Report: Good (2019) Condition History: Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: $500.00 (2019) Provenance: Insurance: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm Olin - Art Department - 1st Floor Corridor near Room 102 Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Description An account of the resource The print depicts the profile of figure's face wearing a bishop's hat. The body is elongated with limbs that move in slow motion. Details are carefully noted with black and red ink with splotches of color varying from red, green, and gray. https://ccartcollection.concordiacollegearchives.org/files/original/00535e4932c6c16f7e59ae4596fc3b65.JPG c6d9e706d2632a4eaccaba1eb6281d96 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 36 relief print, woodcut Physical Dimensions The actual physical size of the original image 13x23.25 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Red Oaks Subject The topic of the resource This woodcut shows a stand of red oaks in the background, against a yellow sky. Description An account of the resource Red oaks stand thick and full beyond a plowed field. The yellowing sky behind them, as well as the red of the oaks and the coffee brain of the earth, provides a warm feel to the woodcut, yet that is dulled by the almost grayness of it. Creator An entity primarily responsible for making the resource Beck, Charles Source A related resource from which the described resource is derived Notes: The size given is for the image only. It is in a wood frame with glass. Condition Report: Good as of 2019 Condition History: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Donor: Value: $0.00 Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.532.36 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm President's Residence https://ccartcollection.concordiacollegearchives.org/files/original/2ff68f4b267da9873fc3fc4b4d46f987.JPG d6675197775a9db0b6ac1929fb2d5cdc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 36 relief print, woodcut Physical Dimensions The actual physical size of the original image 13.75x10 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Brome 2 Subject The topic of the resource This woodcut depicts several stalks of the grass, brome. Description An account of the resource The grass brome grows almost as tall as the woodcut it was created in. Its small leaves and thin stalks are highlighted by the creamy brown background. Creator An entity primarily responsible for making the resource Beck, Charles Source A related resource from which the described resource is derived Notes: The size given is for the image only. It is in a wood frame with glass. Condition Report: Good as of 2019 Condition History: Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Donor: Value: $0.00 Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.529.36 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm President's Residence https://ccartcollection.concordiacollegearchives.org/files/original/2bdca2661e72f930bbd9189cec9a4e52.png fc745c6f67b63c20a6216e08c77e3269 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil on Wood Panel Physical Dimensions The actual physical size of the original image 39.5 inches wide by 49.5 inches tall 39.5 inches wide by 49.5 inches tall Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Norman Lorentzsen (Portrait) Subject The topic of the resource The art object is an oil painting on a wood panel depicting the portrait of Norman Lorentzen. Description An account of the resource The art object is an oil painting on a wood panel depicting the portrait of Norman Lorentzen. Norman Lorentzsen is depicted in a frontal view against an olive green background. He is casually leaning against a bureau, with his right hand in his pocket and the other resting against the edge of the bureau. He is wearing glasses and appears stoic as his stare is fixated upon the viewer. Creator An entity primarily responsible for making the resource Wills, J. Anthony Source A related resource from which the described resource is derived Notes: Below the painting, there is a plaque that reads: Norman M. Lorentzsen, '41, Chair of the Board of Regents 1979, 1982-88, Former President and Chief Executive Officer , Burlington Northern Condition Report: Good (2019) Condition History: Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: $3,000.00 Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.392.10 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Lorentzsen - Third Floor - located near Room 210 https://ccartcollection.concordiacollegearchives.org/files/original/c5b525763a5bbcd25d0eaaba376de7af.jpg 7a72d5a3e65beb1ea5aa4505caf8f25a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 29 intaglio print Physical Dimensions The actual physical size of the original image 19.5 x 25 (image) | 29 x 34.75 (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Blind Bats Subject The topic of the resource The image is a pint of three intersecting bats in a linear configuration. Description An account of the resource The image is a pint of three intersecting bats in a linear configuration. They have a ghoulish appearance with their differing expressions and amount of mark making. Creator An entity primarily responsible for making the resource Sampson, J. Frank Source A related resource from which the described resource is derived Notes: As of January 2019, the piece will be on loan to the North Dakota Museum of Art until its return in the fall. This in a wood frame with glass. The is the fifth print in an edition of 25. Frank Sampson Retrospective opens at the North Dakota Museum of Art July 18 and continues through October 7, 2019 Thursday, July 18 at 5 pm -- The North Dakota Museum of Art will open a long-awaited retrospective exhibition by native son Frank Sampson. For three decades Mr. Sampson - now ninety-one years old - taught painting and printmaking at the University of Colorado in Boulder where he continues to make his home. He returns for a month each summer and winter to his North Dakota family home in Edmore. He flies into Devils Lake from Denver carrying a big roll of Arches paper. Up to a dozen new paintings rolled up under his arm go back to his Boulder studio to be mounted and framed. A peek preview of many of these same paintings can be had at the kick-off of the Museum's Concerts in the Garden on Tuesday, July 16th. Mr. Sampson will be present at the July 18th opening. When asked about his paintings, Mr. Sampson says, "In looking for past experiences and antecedents that may have influenced my work as an artist I think immediately of my childhood on a farm near Edmore, North Dakota surrounded by pigs, chickens, horses and cows as well as a story-telling mother who entertained and rewarded her five sons with vivid adventure stories. Her wonderful tales were full of fantasy and frequently animals played major roles." Mr. Sampson has seen much of the world and many more animals since leaving Edmore for Concordia College in Moorhead. With his BA in hand he moved on to Iowa City in 1950 and emerged two years later with his MFA in painting and printmaking from the University of Iowa. Two years in the army followed. Under the G.I. Bill, Mr. Sampson returned to Iowa for three years of postgraduate work under Mauricio Lasansky, the groundbreaking and world-famous master printmaker (1956-50). Wherever he studied, however, he took extra classes in art history and that led to his successful Fulbright application to study the paintings of Hieronymus Bosch and James Ensor in Belgium (1959 - 1960). Upon his return to the States, he was invited to join the Art Faculty at the University of Colorado in Boulder in 1961. He never left but retired in 1990 as a full professor. His childhood interest in the farm animals - his job was to feed the chickens and gather the eggs - like his love of art history continues to absorb him. Bears and Brahman cows, elephants, storks and pelicans, and giraffes and foxes join his earlier cows and horses, pigs and chickens that peopled his earlier paintings. Weaving in and out of his visual stories is the French character, the sad clown Pierrot identified by his white painted face and pointed white hat. Pierrot is a stock character in nineteen-century comedies and pantomimes. In Mr. Sampson's world the humans and the animals are all creatures interacting among themselves. According to Colorado critic Michael Paglia, "Legendary Magic Realist painter Frank Sampson is still making magic at age ninety plus. His signature style is a soft, classic realism that has a kinship with the Old Masters, with lots of umbers and ochres lending the paintings a sense of dark mystery, like a Rembrandt. But this traditional mood is broken by the preposterous - or at least unlikely - subjects that he addresses and this is where the "magic" part of magic realism comes in. His depictions might be found in the clearing of a deep wood, springing up around a curve, or at some incomprehensible event. Only the painting tells the story." Artists are remembered or forgotten 1) if influential public institutions exhibit and collect their work, and 2) there is a seminal publication about their artwork. Frank Sampson's art has been seen in an impressive diversity of venues. A shortlist demonstrates the cross-cultural appeal of his paintings: the United States Library of Congress; Belgium, Brazil, Tokyo, the Denver Art Museum; the Nelson-Atkins Museum, Kansas City; the Berkeley Art Center; the Joslyn Art Museum, Omaha, Nebraska; the Minnesota Museum of Art, St. Paul; the Boston Public Library. Except for small brochures, however, no such publication exists for this ninety-one-year-old artist. Importantly, the North Dakota Museum of Art is mounting this retrospective and will acquire a significant collection of paintings and prints, all gifts from the artist. This will establish his archive in North Dakota, the mandate of the State Art Museum, named by the state legislature in 1985. It will also publish the definitive book of Mr. Sampson's art and life, which will assure his place in the history of art on the northern plains. Eric Hylden has traveled twice to Boulder with Curator Laurel Reuter to photograph the work for the publication. Hylden's father was Mr. Sampson's Concordia College roommate. Others who have work with the Museum staff organizing the exhibition are photographers Mark Strand of Moorhead and Paul Gronhovd of Grand Forks. A smaller version of the exhibition will tour North Dakota through the Museum's Rural Arts Initiative into 2022, without charge to the hosting communities. Already it is slated to go to Minot in January 2020, The International Peace Gardens in the spring, and Minot State in October. https://www.youtube.com/watch?v=DHSqYMFVWn0 https://www.youtube.com/watch?v=DHSqYMFVWn0 Condition Report: Fair (2019) Condition History: Maintenance: The image is in good condition though the frame has slight nicks and scratches. there is a slight amount of water damage on the back bottom corner of the cardboard on the back. Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value:$5000.00 (2019) Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.231.29 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: Near ISC #208 |3|0.0000000|0.0000000|osm Date A point or period of time associated with an event in the lifecycle of the resource Unknown https://ccartcollection.concordiacollegearchives.org/files/original/c0019a6a18ddf20677ae920ec89b972c.jpg b42b502fe8a1f06811ef678936d6130a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 36 relief print, woodcut Physical Dimensions The actual physical size of the original image 27.5x19.5 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Maplelag-Callaway MN USA Subject The topic of the resource This woodcut depicts bare trees in the snow, with tracks of a vehicle inbetween. The words ""MAPLEFLAG"" and ""CALLAWAY, MN U S A"" are included in large lettering at the bottom. Description An account of the resource Bare trees' branches are covered in snow. A track left by some sort of vehicle leads through them. The sky is a pale but bright blue. Below the image come the words ""MAPLEFLAG"" and ""CALLAWAY, MN U S A"" . Creator An entity primarily responsible for making the resource Beck, Charles Source A related resource from which the described resource is derived Notes:It is in a metal frame with glass. Condition Report: Good as of 2019 Condition History Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Donor: Value:$0.00 Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu Identifier An unambiguous reference to the resource within a given context 1111.539.36 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm President's residence https://ccartcollection.concordiacollegearchives.org/files/original/b9e54cc1a0651ea269de7cb6c8bd830b.JPG 60b4d78f99680c9ce6f7142f26fa2beb Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 36 relief print, woodcut Physical Dimensions The actual physical size of the original image 20.75x30.75 inches (image) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Poplars Subject The topic of the resource This woodcut shows at least sixteen poplars growing very close together. Description An account of the resource The close growing poplars have a golden hue making up their leaves, set in a blond field against a robin's-egg-blue, cloudless sky. We cannot see the base and roots of these trees, for they are so close to the foreground and our field of vision. Creator An entity primarily responsible for making the resource Beck, Charles Source A related resource from which the described resource is derived Notes: The size given is for the image only. It is in a wood frame with glass. Condition Report: good as of 2019 Condition History: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Date A point or period of time associated with an event in the lifecycle of the resource Unknown Contributor An entity responsible for making contributions to the resource Donor: Value: $0.00 Provenance Insurance Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.530.36 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Presidents Residence