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                <text>Notes:This woodcut is in a wood frame with glass. It is print number 54 within the edition and 100 is the total number of prints made in the edition. The size given is for the image only.</text>
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President's Residence</text>
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                <text>A dark and realistic tree sits in front of a pair of ghostly, nearly charicature arms and hands in this etching.</text>
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                <text>The trees branches are completely bare. Everything around it, its background, the hands , is pale. The arms are long, wearing dark sleeves, with white cuffs peeking out at the ends. The left wrist is bent upward at a 90 degree angle, with palm open, flat except for the thumb stretching a little farther back. The right hand holds up the thumb, pointer, and middle fingers with the palm facing the opposite way of the other hand. There appears to be a small hill behind the tree.</text>
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                <text>Notes:It is in a silver metal frame with glass. Marx was part of Concordia's Class of 1979. The piece is part of the Art Department Collection.&#13;
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&#13;
From the artist's statement: "The people I draw, paint and sculpt personify the human condition. They are also the people we see around us, every day. I have favorite themes. I am troubled by: the arrogance of power, the exclusivity of the institutions of church and state, the abuse of and by both spouse and child, and our own and others' personal fears and insecurities... I work not only for myself, but also to make a connection with you."</text>
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                <text>Condition History:</text>
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                <text>Value: $500.00</text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Olin - Art Department - 1st Floor Corridor near Room 102</text>
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                <text>This woodcut depicts several oaks, staggered throughout the picture's snow with a clear, light blue sky.</text>
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                <text>Notes: Charles Beck was born in Fergus Falls, Minnesota and a graduate of Concordia College in Moorhead, Minnesota. He completed military service during his time away from Moorhead and took advantage of the G.I. Bill to attend the University of Iowa and study art in the 1950s. After completing graduate school, he returned to the Red River Valley area and established himself as a prominent artist in the area. Much of his inspiration comes from the landscape of the area, specifically the woods, and farmland. In his 90s now, Charles Beck still works and creates prints out of his studio.</text>
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                <text>Condition report: the print is falling down below the mat and the back paper is coming off</text>
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                <text>Condition history: Summer 2019 water leak in collection space in the ceiling tile.  Debris on the glass but was able to be cleaned off. </text>
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                <text>Installation needs:</text>
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                <text>Concordia College Art Collection</text>
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                <text>Unknown</text>
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            <name>Contributor</name>
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                <text>Donor;</text>
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                <text>Provenance</text>
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                <text>Insurance</text>
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            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3757">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>1111.446.36</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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Fjelstad BO2 north wall</text>
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          <name>Original Format</name>
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              <text>47.5"x31.5"(image) | 60"x45"(frame)</text>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Lightning</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>This is a piece depicting a lightening storm in a field.</text>
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                <text>Brandenburg, Jim</text>
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                <text>Condition report: Excellent 2018</text>
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                <text>Condition history:</text>
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                <text>Installation needs: security hung</text>
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                <text>This piece was installed in 2017 and added to the collection in  2018</text>
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            <name>Contributor</name>
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                <text>Donor: This piece was purchased with the ISC renovation funds</text>
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                <text>Value: $5,000</text>
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                <text>Insurance:</text>
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              <elementText elementTextId="3731">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Near ISC 301</text>
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            <description>An account of the resource</description>
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                <text>This is a piece depicting a lightening storm in a field. The piece is dramatic with the contrast of vibrant gold of the lightning in the background and sharp, dark foliage in the foreground. </text>
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                  <text>Concordia College Art Collection</text>
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                  <text>Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest.</text>
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                <text>Prairie Smoke</text>
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                <text>Notes:  This photo was taken in 1992</text>
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                <text>Condition report: Excellent 2018</text>
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                <text>Condition History: </text>
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                <text>Donor: This piece was purchased from the ISC renovation funds</text>
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                <text>Value: $5000.00</text>
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                <text>Provenance: </text>
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              <elementText elementTextId="3703">
                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>The photograph depicts a large field with a blue sky and a smattering of purple and gold wildflowers. The piece is rich with vibrant colors. </text>
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                  <text>Concordia College Art Collection</text>
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                  <text>Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest.</text>
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                  <text>The Concordia College Art Committee</text>
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                <text>Touch the Sky Gayfeather Bubble Clouds</text>
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                <text>This is a photograph of wildflowers blowing in the wind.</text>
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                <text>Brandenburg, Jim</text>
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                <text>Notes: Minnesota native Jim Brandenburg traveled the globe as a photographer with National Geographic magazine for over three decades. He has done assignment work and has been published in numerous national and international publications including the New York Times, Life, Time, Audubon, Smithsonian, Natural History, GEO, Modern Maturity, BBC Wildlife, Outdoor Photographer, National Wildlife, and Outside.&#13;
His career with the National Geographic Society resulted in 23 magazine stories, several television features and many National Geographic books. His November 1997 National Geographic magazine feature, "North Woods Journal," was—according to editor William Allen—“the most photographs the magazine has ever published in one feature in its entire history … and by the way, using the least amount of film.” The bestseller Chased by the Light elaborates on Brandenburg’s experiences during the 90 days. Brandenburg produced a sequel, titled Looking for the Summer. A sample of that project was featured in the June 2003 issue of National Geographic magazine and the November 2003 issue of Outdoor Photographer and was the first completely digital story featured in both magazines' histories.&#13;
Brandenburg’s work has been featured on all major television and radio networks including Sunday Morning with Charles Kuralt, Dateline NBC, Animal Planet, and the National Geographic Channel, as well as National Public Radio's All Things Considered.&#13;
Over the course of his long career, Brandenburg has received a multitude of prestigious national and international honors for his work. The National Press Photographers Association (NPPA) twice named him Magazine Photographer of the Year for his National Geographic magazine work. He was named Kodak Wildlife Photographer of the Year by BBC Wildlife Magazine and the Natural History Museum–London, and was the recipient of the Lifetime Achievement Award by the North American Nature Photographers Association (NANPA). Brandenburg was a Hasselblad Master in 2002, a Nikon Legend Behind the Lens in 2001, and Canon Explorer of Light 2005-08.&#13;
Brandenburg was the recipient of the World Achievement Award from the United Nations Environmental Programme in Stockholm, Sweden, in recognition of his using nature photography to raise public awareness for the environment. He was recently awarded with an honorary degree, Doctor of Humane Letters, by the University of Minnesota, recognizing individuals who have achieved acknowledged eminence in cultural affairs, in public service, or in a field of knowledge and scholarship. Brandenburg has published many bestsellers including Chased by the Light, Looking for the Summer, Brother Wolf, White Wolf, and Minnesota Images of Home. He has also published four young adult books: To the Top of the World, Scruffy, An American Safari, and Sand and Fog. A National Geographic book, Face to Face With Wolves, featuring the work of Jim and Judy Brandenburg, was released in 2008.&#13;
&#13;
Brandenburg was producer, director and cinematographer of a National Geographic movie, White Wolf, which premiered at the Sundance Film Festival. A television documentary featuring Brandenburg and his Chased by the Light project played throughout the U.S. on PBS, and Japanese Public Television (NHK) recently featured him in a two-hour documentary. He is currently working on several high-definition movies.&#13;
Brandenburg’s work can be seen by visiting his web page (www.jimbrandenburg.com), the Brandenburg Gallery located in Ely, Minnesota, or the nonprofit gallery in Luverne, Minnesota, which benefits the Brandenburg Prairie Foundation (www.brandenburgprairiefoundation.org).</text>
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                <text>Condition report: Excellent, 2018</text>
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                <text>Condition history: </text>
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                <text>Maintenance:</text>
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                <text>Installation Needs: This needs to be security hung.</text>
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                <text>Concordia College Art Collection</text>
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                <text>Installed in September 2017 but added to the collection in October 2018</text>
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                <text>Donor:  This piece was purchased with funds from the ISC renovation </text>
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                <text>Value: $5,000</text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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              <elementText elementTextId="3669">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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near ISC 101</text>
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                <text>This is a photograph of wildflowers blowing in the wind. The background of the photograph is soft with a blurry focus on the blue sky and surrounding foliage. The wildflowers in the foreground are in sharper detail with emphasis on the pink petals and motion of the wind</text>
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                  <text>Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest.</text>
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          <name>Original Format</name>
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              <text>Found metal, stainless steel, glass balls, motor</text>
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                <text>Kinetic Sculpture #900</text>
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                <text>This is a kinetic sculpture that can be activated by the push of a button.  It has a movement of marbles.</text>
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                <text>Zachmann, Jeffrey</text>
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                <text>Notes: Jeffrey Zachmann&#13;
When I was about eight years old, there was a housing development being built near the Minneapolis suburb I grew up in. For some reason, they dug all the basements and left the huge piles of dirt for a long time. My friends and I would spend hours at the development building trails and tunnels for marbles to run down. After they finally hauled all the dirt away, I would occasionally experiment with other materials to make my marble runs: a hose, pieces of wood, a model train track.&#13;
Much later, when I was in college at Minnesota State University- Moorhead, my ceramics instructor gave my class an assignment to make something non-functional out of clay. I remembered my childhood playing with marbles in the development and made a sculpture with tracks and tunnels much like I had in that first pile of dirt.&#13;
I spent the next fifteen years as a potter making mainly functional ceramics and selling them around the country at art shows. Occasionally I would work on another piece with balls rolling through it. It was always only marginally successful at best. Clay shrinks, warps, and can crack as it dries. The ball doesn’t roll the same way on wet clay as it does on the finished piece. I would end up making numerous pieces and having to throw them out because they didn’t work right.&#13;
Then, one day, it just dawned on me: “Just because I’m a potter doesn’t mean I have to work in clay!” It sounds pretty simple now, but that idea ended up changing my life.&#13;
I knew how to weld, having built most of my own pottery equipment, so I started building sculptures with the metal and materials I had lying around. After a few years of making a sculpture every now and then, I had a number of them sitting around the house. My wife, Deb, convinced me I should take them to some art shows (she was probably looking down the road and imagining what our house would be like if I kept making them and not selling them). I was very hesitant about showing the sculptures, however. I had never seen anything else like them. I thought they were just my thing and that no one else would be interested in my moving sculptures.&#13;
Six months after doing the first show with my kinetic sculptures, I no longer had time to do pottery. Since then, the demand for my work has only grown.&#13;
The reactions of viewers and the crowds drawn to my work still amazes me. I live an artist’s dream.</text>
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                <text>Condition report: Excellent</text>
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                <text>Condition History: Installed in 2017 in a clear case</text>
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                <text>Maintenance:</text>
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                <text>Installation needs:</text>
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                <text>Concordia College Art Collection</text>
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                <text>This piece was installed in the summer of 2017 but added to the collection in October of 2018</text>
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            <name>Contributor</name>
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                <text>Donor: This piece was purchased with funds from the ISC renovation</text>
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                <text>Value: $10,000</text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>2018.12.54</text>
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                <text>This kinetic piece is in a circular form with differing levels of metal supports, in which when activated, marbles meander around the piece. The piece is industrial with its strategic use of found objects. </text>
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                <text>Untitled (Seated Nude 2)</text>
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In Storage</text>
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                <text>The watercolor image is a gestural painting of a seated female nude. The back of the figure is on the left edge of the image as she faces the right edge. The model is blonde with a bob haircut. Her right elbow rests on her right knee. The palette is pink along the left edge with blues along the part of the figure which appears closest to the picture plane. The background of the image is white. Some drips of paint flow from the lower edges of the figure to the bottom edge of the picture frame. </text>
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            <description>An entity primarily responsible for making the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3634">
                <text>Ornberg, Kay</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3676">
                <text>This is a gestural watercolor painting of a seated female nude who is leaning forward.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="48">
            <name>Source</name>
            <description>A related resource from which the described resource is derived</description>
            <elementTextContainer>
              <elementText elementTextId="3677">
                <text>Notes: This piece is loosely held in matting. </text>
              </elementText>
              <elementText elementTextId="3678">
                <text>Condition Report: Good.</text>
              </elementText>
              <elementText elementTextId="3679">
                <text>Condition History:</text>
              </elementText>
              <elementText elementTextId="3680">
                <text>Installation Needs: In order for this piece to be displayed on campus it would need to be properly matted and framed. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3681">
                <text>Concordia College Art Collection</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3682">
                <text>May 27, 2018 (accessioned)</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3683">
                <text>Donor: Kay Ornberg, she was a student at Concordia</text>
              </elementText>
              <elementText elementTextId="3684">
                <text>Value:</text>
              </elementText>
              <elementText elementTextId="3685">
                <text>Provenance:</text>
              </elementText>
              <elementText elementTextId="3686">
                <text>Insurance:</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3687">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
</itemContainer>
