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                <text>Notes: This oil on fiberboard is in a two-piece painted wood frame. There is a small gold plaque in the lower left hand corner, which reads the title and artist of the piece.</text>
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                <text>The sculpture is a mixed media of welded steel and grapevine with an elongated and opening form that sits on a pedestal.</text>
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                <text>The sculpture is a mixed media of welded steel and grapevine with an elongated and opening form that sits on a pedestal. Th twisted form opens with an upward reaching motion of additional forms. There is emphasis placed on enhancing the natural qualities of the materials. &#13;
&#13;
From Karla Mickelson:&#13;
Night Dancer is one in a series of Night Dancers. A similar piece at the Plains Art Museum states, "... Depicting an anthropomorphic (human-like) figure dancing. Night Dancer is from a series of sculptures entitled Night Dancer. According to the artist, 'The series was inspired by an experience I had looking out the window of my home. A vulture appeared, soaring above the property in a very beautiful and lyrical manner, catching the air currents ... a dichotomy occurred to me. There was an interesting tension created between the beauty of form and movement, and the sense of foreboding that we associate with a vulture. I attempted to capture this dichotomy in the work.' "&#13;
&#13;
The wood is grape vine trunk from my cousin's vineyard in Fresno, California. We made a trip out to visit my cousin Sandra and her husband, Jon Marthedal. On arrival at their home Jon was in the process of cleaning out old and dead wood from the vineyard. There was a large pile that he was going to get rid of and Duane was mortified by the thought. He combed through the piles and pulled out several pieces that we shipped back home. The grape vine trunk appears in the Night Dancer series as well as in other sculptures. We have been to my cousin's home twice over the years and picked out grape vine trunks to bring home for future sculpture projects. &#13;
&#13;
 &#13;
&#13;
Duane loved the gnarly gestural quality of the grape vine trunks. If there were soft or rotting areas, to harden the wood, he would soak the pieces in linseed oil. &#13;
&#13;
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                <text>Notes: The scultpure sits on a wooden base. This piece was made in 2000. &#13;
&#13;
From Karla Mickelson:&#13;
 Night Dancer is one in a series of Night Dancers. A similar piece at the Plains Art Museum states, "... Depicting an anthropomorphic (human-like) figure dancing. Night Dancer is from a series of sculptures entitled Night Dancer. According to the artist, 'The series was inspired by an experience I had looking out the window of my home. A vulture appeared, soaring above the property in a very beautiful and lyrical manner, catching the air currents ... a dichotomy occurred to me. There was an interesting tension created between the beauty of form and movement, and the sense of foreboding that we associate with a vulture. I attempted to capture this dichotomy in the work.' "&#13;
&#13;
 &#13;
&#13;
The wood is grape vine trunk from my cousin's vineyard in Fresno, California. We made a trip out to visit my cousin Sandra and her husband, Jon Marthedal. On arrival at their home Jon was in the process of cleaning out old and dead wood from the vineyard. There was a large pile that he was going to get rid of and Duane was mortified by the thought. He combed through the piles and pulled out several pieces that we shipped back home. The grape vine trunk appears in the Night Dancer series as well as in other sculptures. We have been to my cousin's home twice over the years and picked out grape vine trunks to bring home for future sculpture projects. &#13;
&#13;
 &#13;
&#13;
Duane loved the gnarly gestural quality of the grape vine trunks. If there were soft or rotting areas, to harden the wood, he would soak the pieces in linseed oil. &#13;
&#13;
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>Permission to use this image must be granted by the Plains Art Museum.</text>
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&#13;
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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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Leroy Aasland graduated from Concordia College in the class of 1957. </text>
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Library - Mezzanine stairs</text>
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Heimarck Center: North door entrance</text>
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                <text>Notes: Below the painting, there is a plaque that reads: Norman M. Lorentzsen, '41, Chair of the Board of Regents 1979, 1982-88, Former President and Chief Executive Officer , Burlington Northern </text>
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Lorentzsen - Third Floor - located near Room 210</text>
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Outside - West of Prexy's Pond</text>
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Merlin Rostad was born in Zumbrota, Minnesota in 1913. Much of his childhood was spent helping his parents in their jobs as general store managers and postmasters. As he grew, Merlin's interests turned to painting and he attended Concordia College in Moorhead, Minnesota where he participated in creating and constructing the sets for the theatrical performances put on by the theater. He married Gladys Evelyn Holm and moved to Chicago to continue his art education at the Chicago Art Institute. He worked in metal most of his life, founding Rostad Aluminum Corp which served anyone from construction companies to artists. Merlin Rostad died in 2013 at the age of 100.</text>
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Academy - English Department - Room 312</text>
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