28 10 428 https://ccartcollection.concordiacollegearchives.org/files/original/a6bb074bf18e243e39238187acabb607.JPG 2757581a5325dff05d6c1e131f9cf097 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil on Canvas Physical Dimensions The actual physical size of the original image 45 x 7.5 inches (without frame) | 46.75 x 8.75 inches (with frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Ages Of Man Identifier An unambiguous reference to the resource within a given context 1111.236.10 Subject The topic of the resource The art object is a reproduction of the original mural. Description An account of the resource The art object is a reproduction of the original mural. The mural depicts figures spread throughout the composition doing various activities such as playing outside, studying, and socializing. The facades of Concordia buildings are depicted throughout alongside stained glass windows and timeless quotes. Creator An entity primarily responsible for making the resource Running, Cyrus M. Publisher An entity responsible for making the resource available Concordia College Art Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm The original mural is at the Rourke Art Gallery (unrestricted gift dated July 20, 2008). The reproduction depicted here is located in the Concordia College Archives. Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Source A related resource from which the described resource is derived Notes: The art object is a reproduction of the original mural. (Feb 2018) This is a direct mount. The mount was reglued in the lower left corner in June of 1994, and the painting was cleaned in September of 1998. Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” The original mural is at the Rourke Art Gallery (unrestricted gift dated July 20, 2008). The reproduction depicted here is located in the Concordia College Archives. Condition Report: Good (2019) Condition History: Maintenance: This mural was removed from the Library's North Reading Room. The mural was gifted by the College to The Rourke Art Museum, acknowledged in a letter from James O'Rourke dated July 20, 2008. A deed of unrestricted gift was signed by President Jolicoeur 8/22/08. Mark Strand donated a smaller scale version in April 2015 which is temporarily stored in the Concordia College Archives. Installation Needs: Contributor An entity responsible for making contributions to the resource Donor: Value: $48,000.00 Provenance: Insurance: #oil.on.canvas #painting #running.cyrus https://ccartcollection.concordiacollegearchives.org/files/original/4c20232ea75eec1a63da8f63b76efae4.JPG 84ae3f07fec83b3b6b569b039ed26935 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Relief Print, Woodcut Physical Dimensions The actual physical size of the original image 18x11.5 inches (image) | Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The B&M Identifier An unambiguous reference to the resource within a given context 1111.194.36 Description An account of the resource Two tracks run parallel to each other, curving as they go by a town. A mostly orange train goes by on the left track; four of its cars are seen in this piece. The part of the town we see has a water tower, three to four smokestacks, and some buildings. This woodcut is fairly simplistic, as seen through the use of color and shape. The colors have little variance, not changing hues. The buildings are very geometrically shaped and filled with solid color with very little, to no, texture. What little texture there is comes from the use of gray, which overlays some of the orange and yellow. Creator An entity primarily responsible for making the resource Carlander, John Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Chris Mortenson at cmortens@cord.edu or the Art Office Subject The topic of the resource This woodcut shows a take on the famous and historical Boston and Maine Railway. Black, orange, yellow, white, and gray are the colors used to show the railroad near an industrial part of town. Source A related resource from which the described resource is derived Notes: John Carlander is an artist located in Santa Barbara, California. Much of his work ranges in mediums from watercolor to acrylic, but can include print making. His styles range from abstract to realism and can land anywhere in between the two. He was a professor of art at Westmont College for thirty years and his work has been showcased in galleries as well as on television. Condition Report: Good (2018) Condition History: This framed artwork fell off the wall in August of 2026. The print was unharmed. Needs to be framed Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm In Storage Flat Files Contributor An entity responsible for making contributions to the resource Donor: Value: $100.00 Provenance: Insurance: #carlander.john #woodcut https://ccartcollection.concordiacollegearchives.org/files/original/fc8d2c74c1348a370048e06d7a76d658.jpg 17053378aecdaf6e668ed99bcb14380e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Intaglio (studio print) Physical Dimensions The actual physical size of the original image 23.5x35.5 inches (image) | 35x47 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Blind Lead the Blind Identifier An unambiguous reference to the resource within a given context 1111.228.29 Description An account of the resource This is a print that shows six figures. The three figures on the far left side of the piece are shown very dark, and the area around them is in darkness. They are reaching towards the fourth figure in the piece. The fourth figure is shown riding a cow and looking back towards the left. The last two figures are on the far right of the piece, in the lightest section. One figure is on the bottom right, reaching up, and only half in the image. The other figure is shown as reaching down for the figure falling out of frame. Creator An entity primarily responsible for making the resource Sampson, J. Frank Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Subject The topic of the resource This piece is a print that shows six figures, in varying shades of lightness and darkness. One of the figures is riding a cow. Source A related resource from which the described resource is derived Notes: This is in a wood frame with glass. * The piece will be on loan to the North Dakota Museum of Art until fall 2019. Frank Sampson was born on a farm in North Dakota in 1928. His first relationships, and some of the greatest inspirations for his work, were with animals on his families farm. He received an edcation in art, including a Master's Degree from the University of Iowa. He also won a fulbright scholarship to Belgium to exhibit his work in Luxembourg. He spent a year in Japan that also inspired many works. After 37 years of teaching at the University of Colorado, Boulder, he retired. The animals in his works are always participants in the human activity of the piece, rather than just bystanders. The also cites the Grimm's fairy tales as a large influence on his pieces. He has stated that their is nothing grim, or idyllic about the animals in his pieces, rather they participate as humans do in human activities. His work has been exhibited all over the country, and in many countries around the world. Frank Sampson Retrospective opens at the North Dakota Museum of Art July 18 and continues through October 7, 2019 Thursday, July 18 at 5 pm -- The North Dakota Museum of Art will open a long-awaited retrospective exhibition by native son Frank Sampson. For three decades Mr. Sampson - now ninety-one years old - taught painting and printmaking at the University of Colorado in Boulder where he continues to make his home. He returns for a month each summer and winter to his North Dakota family home in Edmore. He flies into Devils Lake from Denver carrying a big roll of Arches paper. Up to a dozen new paintings rolled up under his arm go back to his Boulder studio to be mounted and framed. A peek preview of many of these same paintings can be had at the kick-off of the Museum's Concerts in the Garden on Tuesday, July 16th. Mr. Sampson will be present at the July 18th opening. When asked about his paintings, Mr. Sampson says, "In looking for past experiences and antecedents that may have influenced my work as an artist I think immediately of my childhood on a farm near Edmore, North Dakota surrounded by pigs, chickens, horses and cows as well as a story-telling mother who entertained and rewarded her five sons with vivid adventure stories. Her wonderful tales were full of fantasy and frequently animals played major roles." Mr. Sampson has seen much of the world and many more animals since leaving Edmore for Concordia College in Moorhead. With his BA in hand he moved on to Iowa City in 1950 and emerged two years later with his MFA in painting and printmaking from the University of Iowa. Two years in the army followed. Under the G.I. Bill, Mr. Sampson returned to Iowa for three years of postgraduate work under Mauricio Lasansky, the groundbreaking and world-famous master printmaker (1956-50). Wherever he studied, however, he took extra classes in art history and that led to his successful Fulbright application to study the paintings of Hieronymus Bosch and James Ensor in Belgium (1959 - 1960). Upon his return to the States, he was invited to join the Art Faculty at the University of Colorado in Boulder in 1961. He never left but retired in 1990 as a full professor. His childhood interest in the farm animals - his job was to feed the chickens and gather the eggs - like his love of art history continues to absorb him. Bears and Brahman cows, elephants, storks and pelicans, and giraffes and foxes join his earlier cows and horses, pigs and chickens that peopled his earlier paintings. Weaving in and out of his visual stories is the French character, the sad clown Pierrot identified by his white painted face and pointed white hat. Pierrot is a stock character in nineteen-century comedies and pantomimes. In Mr. Sampson's world the humans and the animals are all creatures interacting among themselves. According to Colorado critic Michael Paglia, "Legendary Magic Realist painter Frank Sampson is still making magic at age ninety plus. His signature style is a soft, classic realism that has a kinship with the Old Masters, with lots of umbers and ochres lending the paintings a sense of dark mystery, like a Rembrandt. But this traditional mood is broken by the preposterous - or at least unlikely - subjects that he addresses and this is where the "magic" part of magic realism comes in. His depictions might be found in the clearing of a deep wood, springing up around a curve, or at some incomprehensible event. Only the painting tells the story." Artists are remembered or forgotten 1) if influential public institutions exhibit and collect their work, and 2) there is a seminal publication about their artwork. Frank Sampson's art has been seen in an impressive diversity of venues. A shortlist demonstrates the cross-cultural appeal of his paintings: the United States Library of Congress; Belgium, Brazil, Tokyo, the Denver Art Museum; the Nelson-Atkins Museum, Kansas City; the Berkeley Art Center; the Joslyn Art Museum, Omaha, Nebraska; the Minnesota Museum of Art, St. Paul; the Boston Public Library. Except for small brochures, however, no such publication exists for this ninety-one-year-old artist. Importantly, the North Dakota Museum of Art is mounting this retrospective and will acquire a significant collection of paintings and prints, all gifts from the artist. This will establish his archive in North Dakota, the mandate of the State Art Museum, named by the state legislature in 1985. It will also publish the definitive book of Mr. Sampson's art and life, which will assure his place in the history of art on the northern plains. Eric Hylden has traveled twice to Boulder with Curator Laurel Reuter to photograph the work for the publication. Hylden's father was Mr. Sampson's Concordia College roommate. Others who have work with the Museum staff organizing the exhibition are photographers Mark Strand of Moorhead and Paul Gronhovd of Grand Forks. A smaller version of the exhibition will tour North Dakota through the Museum's Rural Arts Initiative into 2022, without charge to the hosting communities. Already it is slated to go to Minot in January 2020, The International Peace Gardens in the spring, and Minot State in October. https://www.youtube.com/watch?v=DHSqYMFVWn0 Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: Near ISC #208 Contributor An entity responsible for making contributions to the resource Donor: Value: $5000.00 Provenance: Insurance: #itaglio #sampson.frank https://ccartcollection.concordiacollegearchives.org/files/original/79883a15da848330b176eb744332ad07.JPG 1e2ccf85c87e40a1f538e339b29e43e7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Print Physical Dimensions The actual physical size of the original image 26 x 20 inches (without frame) | 34.5 x 28.5 inches (with frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Crossing Identifier An unambiguous reference to the resource within a given context 1111.324.34 Subject The topic of the resource The art object is a lithographic print. It depicts a man in heavy winter gear with ski team at the bottom left of the composition. Description An account of the resource It depicts a bearded man in heavy winter attire inside of a circle comprised with red, yellow, and blue. The word Greenland in Greenlandic is written along the bottom left inside of the circle, following its curve. A small team of people ski underneath this picture. A tent is behind them, towards the right side of the circle. There is writing scrawled under the tent. Gray beams peak through what appears to be an icy blue sky and through the primary colored circles to reveal traces of falling snow. Creator An entity primarily responsible for making the resource Hetland, David Publisher An entity responsible for making the resource available Concordia Art Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm Library: 2nd floor balcony, outside 206 Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Source A related resource from which the described resource is derived Notes: David Hetland was born in 1947 in Fargo, North Dakota. He studied under Cyrus M. Running while he was a student at Concordia College before graduating in 1969. In 1965, he took over design and creation of the Concordia College Christmas Concert murals and completely took over the role of designer in 1975. Some of Hetland's works are internationally known such as the Jerusalem Cross that was commissioned by the ELCA and presented to Pope John Paul II. Another of his mosaics hangs in the entrance of the ELCA's churchwide offices in Chicago. At Concordia, he designed the president's medallion in 1980 and is also known for a mosaic mural in the library. David Hetland died on April 16th, 2006 Condition Report: Poor (2019) Condition History: Maintenance: This piece needs to be re-matted and cleaned Installation Needs: Contributor An entity responsible for making contributions to the resource Donor: Value: $0.00 Provenance: Insurance: #hetland.david #lithograph https://ccartcollection.concordiacollegearchives.org/files/original/f626607703eb2b2c15a58cb4dc244744.jpg 57d5bbcb2641218a4ca5150825f111b7 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data lithograph (print) Physical Dimensions The actual physical size of the original image 26 x 20 inches (without frame) 34.5 x 28.5 inches (with frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm In Storage ||||osm Shelf: F Title A name given to the resource The Crossing Subject The topic of the resource The art object is a lithographic print. It depicts a man in heavy winter gear with ski team at the bottom left of the composition. Description An account of the resource The art object is a lithographic print. It depicts a man in heavy winter gear with ski team at the bottom left of the composition. It depicts a bearded man in heavy winter attire inside of a circle comprised with red, yellow, and blue. The word Greenland in Greenlandic is written along the bottom left inside of the circle, following its curve. A small team of people ski underneath this picture. A tent is behind them, towards the right side of the circle. There is writing scrawled under the tent. Gray beams peak through what appears to be an icy blue sky and through the primary colored circles to reveal traces of falling snow. Creator An entity primarily responsible for making the resource Hetland, David Source A related resource from which the described resource is derived Notes: David Hetland was born in 1947 in Fargo, North Dakota. He studied under Cyrus M. Running while he was a student at Concordia College before graduating in 1969. In 1965, he took over design and creation of the Concordia College Christmas Concert murals and completely took over the role of designer in 1975. Some of Hetland's works are internationally known such as the Jerusalem Cross that was commissioned by the ELCA and presented to Pope John Paul II. Another of his mosaics hangs in the entrance of the ELCA's churchwide offices in Chicago. At Concordia, he designed the president's medallion in 1980 and is also known for a mosaic mural in the library. David Hetland died on April 16th, 2006 Condition Report: Condition History: Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.362.34 https://ccartcollection.concordiacollegearchives.org/files/original/41476b53d4ff600ec0025c626d3ee9d1.JPG 36f1bd0d1b00e45765183158666baabf Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodcut Physical Dimensions The actual physical size of the original image 11.25x16 inches (image) | 21.75x25.5 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fence Identifier An unambiguous reference to the resource within a given context 1111.101.36 Subject The topic of the resource The art object is a woodcut print depicting a fence running through the countryside at night. Description An account of the resource The art object is a woodcut print depicting a fence running through the countryside at night. The field on the left side of the piece is in a dark grey with thin black lines, like woodgrain, on top of it. The right side of the field consists of a pale yellow color also covered in thick black lines that appear to be woodgrain. There are four posts to the fence that runs between the two portions of the field. The fourth posts is almost out of sight as the fence rounds the hill on the left side of the field. The sky is done in a dark blue color that is covered in flowing black lines. Creator An entity primarily responsible for making the resource Grundstad, Brenda Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: This is in a wood frame with glass. Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Academy - Religion Department - Room 213 Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: #grunstad.brenda #woodcut https://ccartcollection.concordiacollegearchives.org/files/original/3216dda5e4b9f5af079b3ecea8f29362.JPG 6f1f2113f23c953eb724966090cbd009 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Linocut Physical Dimensions The actual physical size of the original image 20.5x19.5 inches (image) | 27x25.5 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Fog Clears Identifier An unambiguous reference to the resource within a given context 1111.331.18 Subject The topic of the resource This is a linocut of a wooden ship in the water. Description An account of the resource This image is a linocut print of a viking era ship on water. The ship is to the left side of the image. The foreground of the image is water that is a white and green color while the background of the image is a bright blue sky with a darker portion of sky in the middle. A reflection of the ship shows on the water. This is in a silver metal frame with glass. Creator An entity primarily responsible for making the resource Rosseland, Jarle Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: This is in a gold metal frame with glass. Jarle Rosseland was born in Bergen in 1952. His debut into the art world happened in 1970 at the Norwegian National Annual Autumn Exhibition when he was 18 years old. Since then he has become one of Norway's most prominent artists. He is most known for his style which consists of crisp lines, fluid movement, and interesting contours all of which are coupled with bizarre colors. He has stated that his inspiration and style are based in traditional Norwegian landscape and folk art. He has over 300 exhibitions all over the world, 32 of which are in national museums. Condition Report: Good (2018) Condition History: reframed on August 2018 Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Fjelstad-Frida Nilsen Lounge Contributor An entity responsible for making contributions to the resource Donor: Value: $400.00 Provenance: Insurance: #linocut #rosseland.jarle https://ccartcollection.concordiacollegearchives.org/files/original/e2e1bcb0a3d6ec4bcc19a85f7e34543c.JPG 15579fbf6e04ec540eda7193cc6865a2 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Acrylic on Canvas Physical Dimensions The actual physical size of the original image 54.5 x 41 inches (without frame) | 56 x 42.5 inches (with frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Glory Identifier An unambiguous reference to the resource within a given context 1111.239.11 Subject The topic of the resource The art object is a an acrylic painting with the subject matter of a landscape. Description An account of the resource The art object is an acrylic painting of a landscape. The style is gestural and painterly. In the background there are indications of the heights of mountains with the curving of forest green foliage. In the midground there is a grouping of wild grass of varying shades of taupe and ochre. In the foreground, wild grass fills the space with traces of pink, rust, and the shaping of dark brown blades. Creator An entity primarily responsible for making the resource Christianson, Nancy Publisher An entity responsible for making the resource available Concordia College Art Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Hvidsten - Kresge Lounge Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: Condition Report: Good (2019) Condition History: Maintenance: Installation Needs: Contributor An entity responsible for making contributions to the resource Donor: Value: $150.00 Provenance: Insurance: #acrylic.on.canvas #christianson.nancy https://ccartcollection.concordiacollegearchives.org/files/original/9683d10990ae660c91c7849e3b139c51.jpg 643a380366d0c91da6fee549ea621018 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodcut Print Physical Dimensions The actual physical size of the original image 26 x 24,5 inches (image) | 34 x 33 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Home Place Creator An entity primarily responsible for making the resource O'Rourke, James Tiernan Source A related resource from which the described resource is derived Notes: This piece is part of the Viola "Vi" Thompson '57 Collection Condition Report: Matted and framed in February 2019 Condition History:Excellent Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection This piece is part of the Vi Thompson Collection Date A point or period of time associated with an event in the lifecycle of the resource Acquired in December 2018 Accessioned in February 2019 Contributor An entity responsible for making contributions to the resource Donor: Lowell Thompson Value Provenance: Insurance: Identifier An unambiguous reference to the resource within a given context 2019.8.36 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm OSB; Barry reception, North wall Subject The topic of the resource This print depicts a homestead with a gate, clusters of trees, and a farm with a mind mill in the background of the right side of the composition. Description An account of the resource This print depicts a homestead with a gate, clusters of trees, and a farm with a mind mill in the background of the right side of the composition. Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office https://ccartcollection.concordiacollegearchives.org/files/original/61727a352bc0005c5027831586689c22.jpg af3c70af8670fafe8a0a557b92b7fa22 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil on Canvas Physical Dimensions The actual physical size of the original image 40.25 x 36 inches (without frame) | 37.25 x 41.25 inches (with frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Hunters Identifier An unambiguous reference to the resource within a given context 1111.474.10 Subject The topic of the resource The art object is an oil painting of two abstracted figures holding sticks or weapons. Description An account of the resource The art object is an oil painting of two abstracted figures holding sticks or weapons. In th background, the two figures stand in an abstracted space, as they are swallowed in swaths of cream, green, and tan. One the figures stands further out in the distance, holding either a weapon or stick and bundled up in many layers. The second figure stands in the foreground closer to the viewer, and similarily holds either a weapon or a stick, as well as being bundled up. The facial features of both the figures are abstracted. Creator An entity primarily responsible for making the resource Mikkelson, Richard Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Source A related resource from which the described resource is derived Notes: This painting is in a painted wood frame. Richard, 'Rick', Mikkelson grew up in the Red River Valley and attended Concordia College in 1965. He graduated with a Bachelor's degree in art. He also earned an M.A. and an M.F.A in painting from the University of Iowa in 1967 and 1969. Much of his work his inspired by his life growing up in the Red River Valley and Breckenridge, or landscapes in Spain. Many of his works depict landscapes, figures or still lifes. While many of his works are representational, he also focuses heavily on abstraction and symbolism. He chaired the Art Department at the State University of New York - Plattsburgh for 10 years. Currently he works as a professor of drawing and painting at that school. Condition Report: Fair (2019) Condition History: Maintenance: The frame is in kind of rough shape. It would benefit from a new coat of paint, as some of it has chipped off. Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm In Storage ||||osm Shelf H Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: #mikkelson.richard #oil.on.canvas #painting