30 10 428 https://ccartcollection.concordiacollegearchives.org/files/original/b0bfd279a9ca3e3ce17b7fe9ff3c0104.jpg 8156281e18c0027680233e4ec1023347 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodcut Print, Monotype, Gouache Physical Dimensions The actual physical size of the original image 21.5 x 15 inches (image) and framed Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource They Watched the Stars Together Subject The topic of the resource The art object is a woodcut print. Description An account of the resource The art object is a woodcut print. The image is primarily in blues and greens and depicts a dark blue figure that dominates the right side of the piece as a shadow over the leaves and water. There are spots of gold color that appear to glitter over the surface of the piece. Creator An entity primarily responsible for making the resource Gumpper, Jean Publisher An entity responsible for making the resource available Concordia College Art Collection Date A point or period of time associated with an event in the lifecycle of the resource 9.25.17 (Accessioned) Format The file format, physical medium, or dimensions of the resource Identifier An unambiguous reference to the resource within a given context 2017.4.36 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC; Across from room 233 Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Source A related resource from which the described resource is derived Notes: The art object was donated to the Concordia Art Collection by Jerry Anderson in September of 2017. Condition Report: Excellent Condition History: New frame in 2019 Maintenance: The piece will need to be matted, because the original artwork is touching the glass of the frame. This was done in 2019 Installation Needs: Contributor An entity responsible for making contributions to the resource Donor: Jerry Anderson Value: Provenance: Insurance: #gouache #gumpper.jean #monotype #woodcut https://ccartcollection.concordiacollegearchives.org/files/original/d390639c5d3082b80514db99bd107d22.jpg d0dfbe618c6ea6777531e9e0ec11189f Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 22.5x9.5 inches (image) 31 x 17 inches (frame) Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Woodcut Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Thistle Subject The topic of the resource This woodcut shows a thistle plant in white and brown on a brown background. Description An account of the resource Fourteen thistle heads on a thistle plant stand among their own plant's thorns, with the use of two tones: brown and white. Creator An entity primarily responsible for making the resource Beck, Charles Source A related resource from which the described resource is derived Notes: Condition Report: This piece needs a new frame and mat; April 2021 October 2021; This piece has a new mat and frame Condition History: Needs new frame (10-30-15) October 2021: Excellent Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: $150 Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.45.36 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: Near ISC # 303 https://ccartcollection.concordiacollegearchives.org/files/original/c5b525763a5bbcd25d0eaaba376de7af.jpg 7a72d5a3e65beb1ea5aa4505caf8f25a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 29 intaglio print Physical Dimensions The actual physical size of the original image 19.5 x 25 (image) | 29 x 34.75 (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Blind Bats Subject The topic of the resource The image is a pint of three intersecting bats in a linear configuration. Description An account of the resource The image is a pint of three intersecting bats in a linear configuration. They have a ghoulish appearance with their differing expressions and amount of mark making. Creator An entity primarily responsible for making the resource Sampson, J. Frank Source A related resource from which the described resource is derived Notes: As of January 2019, the piece will be on loan to the North Dakota Museum of Art until its return in the fall. This in a wood frame with glass. The is the fifth print in an edition of 25. Frank Sampson Retrospective opens at the North Dakota Museum of Art July 18 and continues through October 7, 2019 Thursday, July 18 at 5 pm -- The North Dakota Museum of Art will open a long-awaited retrospective exhibition by native son Frank Sampson. For three decades Mr. Sampson - now ninety-one years old - taught painting and printmaking at the University of Colorado in Boulder where he continues to make his home. He returns for a month each summer and winter to his North Dakota family home in Edmore. He flies into Devils Lake from Denver carrying a big roll of Arches paper. Up to a dozen new paintings rolled up under his arm go back to his Boulder studio to be mounted and framed. A peek preview of many of these same paintings can be had at the kick-off of the Museum's Concerts in the Garden on Tuesday, July 16th. Mr. Sampson will be present at the July 18th opening. When asked about his paintings, Mr. Sampson says, "In looking for past experiences and antecedents that may have influenced my work as an artist I think immediately of my childhood on a farm near Edmore, North Dakota surrounded by pigs, chickens, horses and cows as well as a story-telling mother who entertained and rewarded her five sons with vivid adventure stories. Her wonderful tales were full of fantasy and frequently animals played major roles." Mr. Sampson has seen much of the world and many more animals since leaving Edmore for Concordia College in Moorhead. With his BA in hand he moved on to Iowa City in 1950 and emerged two years later with his MFA in painting and printmaking from the University of Iowa. Two years in the army followed. Under the G.I. Bill, Mr. Sampson returned to Iowa for three years of postgraduate work under Mauricio Lasansky, the groundbreaking and world-famous master printmaker (1956-50). Wherever he studied, however, he took extra classes in art history and that led to his successful Fulbright application to study the paintings of Hieronymus Bosch and James Ensor in Belgium (1959 - 1960). Upon his return to the States, he was invited to join the Art Faculty at the University of Colorado in Boulder in 1961. He never left but retired in 1990 as a full professor. His childhood interest in the farm animals - his job was to feed the chickens and gather the eggs - like his love of art history continues to absorb him. Bears and Brahman cows, elephants, storks and pelicans, and giraffes and foxes join his earlier cows and horses, pigs and chickens that peopled his earlier paintings. Weaving in and out of his visual stories is the French character, the sad clown Pierrot identified by his white painted face and pointed white hat. Pierrot is a stock character in nineteen-century comedies and pantomimes. In Mr. Sampson's world the humans and the animals are all creatures interacting among themselves. According to Colorado critic Michael Paglia, "Legendary Magic Realist painter Frank Sampson is still making magic at age ninety plus. His signature style is a soft, classic realism that has a kinship with the Old Masters, with lots of umbers and ochres lending the paintings a sense of dark mystery, like a Rembrandt. But this traditional mood is broken by the preposterous - or at least unlikely - subjects that he addresses and this is where the "magic" part of magic realism comes in. His depictions might be found in the clearing of a deep wood, springing up around a curve, or at some incomprehensible event. Only the painting tells the story." Artists are remembered or forgotten 1) if influential public institutions exhibit and collect their work, and 2) there is a seminal publication about their artwork. Frank Sampson's art has been seen in an impressive diversity of venues. A shortlist demonstrates the cross-cultural appeal of his paintings: the United States Library of Congress; Belgium, Brazil, Tokyo, the Denver Art Museum; the Nelson-Atkins Museum, Kansas City; the Berkeley Art Center; the Joslyn Art Museum, Omaha, Nebraska; the Minnesota Museum of Art, St. Paul; the Boston Public Library. Except for small brochures, however, no such publication exists for this ninety-one-year-old artist. Importantly, the North Dakota Museum of Art is mounting this retrospective and will acquire a significant collection of paintings and prints, all gifts from the artist. This will establish his archive in North Dakota, the mandate of the State Art Museum, named by the state legislature in 1985. It will also publish the definitive book of Mr. Sampson's art and life, which will assure his place in the history of art on the northern plains. Eric Hylden has traveled twice to Boulder with Curator Laurel Reuter to photograph the work for the publication. Hylden's father was Mr. Sampson's Concordia College roommate. Others who have work with the Museum staff organizing the exhibition are photographers Mark Strand of Moorhead and Paul Gronhovd of Grand Forks. A smaller version of the exhibition will tour North Dakota through the Museum's Rural Arts Initiative into 2022, without charge to the hosting communities. Already it is slated to go to Minot in January 2020, The International Peace Gardens in the spring, and Minot State in October. https://www.youtube.com/watch?v=DHSqYMFVWn0 https://www.youtube.com/watch?v=DHSqYMFVWn0 Condition Report: Fair (2019) Condition History: Maintenance: The image is in good condition though the frame has slight nicks and scratches. there is a slight amount of water damage on the back bottom corner of the cardboard on the back. Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value:$5000.00 (2019) Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.231.29 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: Near ISC #208 |3|0.0000000|0.0000000|osm Date A point or period of time associated with an event in the lifecycle of the resource Unknown https://ccartcollection.concordiacollegearchives.org/files/original/335ad9af30a9bf1c4d7bb92a5399c3b8.jpg b090e0b9a06887b60af1d4246d22bdb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor with Pen and Ink Physical Dimensions The actual physical size of the original image 22 inches x 7 1/4 inches(image) 33 inches x 19 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Trees, Edge of Town Subject The topic of the resource This painting is of the edge of a town. Description An account of the resource Town is on the left and there are rows of trees on the right.It appears to be fall or spring based on the tree's state. Creator An entity primarily responsible for making the resource Running, Cyrus M., 1913-1976 Source A related resource from which the described resource is derived Notes: Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combi Condition Report: good 2021 Condition History: Maintenance; Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.437.12 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm Mugaas : office 110 https://ccartcollection.concordiacollegearchives.org/files/original/7534f3d1b3c162f84f9ffd1ae8b72590.JPG 94dc7f7bfa87aa6b108c287f2cc228a0 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Black and White Photograph Physical Dimensions The actual physical size of the original image 35 Inches x 36 Inches (Image) | 46 x 46 Inches (Frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Creator An entity primarily responsible for making the resource Kim, Leo Identifier An unambiguous reference to the resource within a given context 2019.22.39 Subject The topic of the resource This is a black and white photograph depicting a landscape. Description An account of the resource This is a black and white photograph depicting a landscape. Overhead are large, cottany clouds that rest upon a windy dirt road. Surrounded by the path are expanses of fields, clusters of trees, and telephone poles. Publisher An entity responsible for making the resource available Concordia College Art Collection Source A related resource from which the described resource is derived Notes: This was accounted for in digital horizons, but the record was incomplete. https://www.inforum.com/entertainment/art/4621518-North-Dakota-was-awful-lucky-to-have-him-Friends-remember-photographer-Leo-Kim Condition Report: Excellent (2019) Condition History: Maintenance: Installation Needs: Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Lorentzsen--President's Conference Room Title A name given to the resource Thunderclouds #leo.kim https://ccartcollection.concordiacollegearchives.org/files/original/1418e927cb5071e7367c7ad3fa58271f.JPG d07682e7b5419bbd4e4b42acf98af728 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Lithograph Physical Dimensions The actual physical size of the original image 20 1/2"by 28'(image)| 20 1/4 by 40 1/2" (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tidt Eg Minnest - I Often Remember Subject The topic of the resource Red, green, gray, and white are the main colors in this woodcut. It shows a house on the bottom of the hill with some plant life. Description An account of the resource The house is red and white. The leaves on the white and red tree are green. There is practically no hue variation - the green is the same green, the red is the same red throughout the piece. It seems brownish-red where the green overlaps the red, such as on the roof of the house and the earth down below. The sky is gray and white. We can see three windows on the house. It appears to have a porch. Little trees grow in brownish-red atop the hill. Parallel to the big tree by the house, there is a gray post-like thing, nearly cyllindrical. It looks as though there is red writing going down it. Creator An entity primarily responsible for making the resource Eikaas, Ludvig Source A related resource from which the described resource is derived Notes:This woodcut is signed. It is the 8th print within the edition. 100 is the total number of prints that were made in the edition. It is in a painted wood frame with glass. For more information on the print https://www.fineart.no/galleriobjekt/Ludvig_Eikaas_-_Tidt_eg_minnest/220994 Condition Report: Good 2018 Condition History: Reframed in August 2018 Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value:$0.00 Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.420.34 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Olin 2nd floor next to 207 https://ccartcollection.concordiacollegearchives.org/files/original/d872e85e3720ea1f6247e669e5234852.jpg d24f827afd314d1ac7fa55e4ee2dc985 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data oil on canvas Physical Dimensions The actual physical size of the original image 107 inches x 42 1/2 inches (entire piece) 16 units, each 20x13 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tie Creator An entity primarily responsible for making the resource Groch, Gerald Source A related resource from which the described resource is derived Notes: Condition Report: Condition History: Maintenance: Installation Needs: Identifier An unambiguous reference to the resource within a given context 1111.128.10 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Corridor of Livedalen. Subject The topic of the resource This depicts a man putting on a tie in many different steps. Description An account of the resource There are 8 frames in two rows. The sequence runs as though reading English. Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office https://ccartcollection.concordiacollegearchives.org/files/original/0a6545f3e4565c076a626c19542ac796.JPG b117245fdbdb63b595ef95ecc97031aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Relief Print (woodcut) Physical Dimensions The actual physical size of the original image 16x37 inches (image) | 23.25x44 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource To Concordia College Identifier An unambiguous reference to the resource within a given context 1111.298.36 Subject The topic of the resource This piece is a woodcut print with two partial circles on the far right and left that frame straight lines and large, brightly colored geometric shapes. Description An account of the resource This piece is an abstract woodcut. The partial circle on the left is maroon in color. Inside are three stripes that begin orange and fade into a dark color. Around the bottom of each stripe are lines that represent ripples beginning in orange and moving to blue and maroon colors.The partial circle on the right is white with a fuchsia trim. A pink triangle and two yellow triangles point towards each other in the center of the piece, with black between them. A blue stripe of color outlines the left most partial circle and continues across the top middle of the piece before moving down on the right side of the piece, framing the middle of the piece. The right side of the piece, around the partial circle, are stripes of light yellow and teal. The background of this portion transitions from orange into blue with small, light, erratic lines decorating the open spaces. Creator An entity primarily responsible for making the resource Kunc, Karen Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: The piece is in a metal frame with glass. This woodcut is part of the Concordia Art Department Collection. Karen Kunc was a part of the Concordia College class of 1988. From the artist's statement: "My work as an artist/printmaker addresses issues of the landscape and our natural surroundings as direct influences from my Nebraska heritage, my daily experiences and viewpoints in the landscape of the plains and from extensive travel, and as artistic interpretation and contemplation on larger issues of the eternal life struggle, of endurance and vulnerability, growth and destruction." “My prints suggest extremes of weather and natural forces at work, a sense of the micro/macrocosm, set against landscape or space, both wild and cultivated, intimate and unknowable. I am interested in the span of time it takes to wear away a canyon, build a mountain, the erosion forces that continually wash onto the plains, forming the earth, and, ultimately, shaping our world. My hope is that these larger concepts are provoked by viewing my work with a poetic and intelligent sense of wonder." “My symbolic images are derived from a rich mix of instilled influences, born at home, and greatly expanded and contextualized from seeing life lived the world over, my experiences and past work, and issues in contemporary art. I recognize a host of associations that flow out of my work and are research interests for me - from nature and science, spiritual and religious thought, art historical and modern icons, immigration narratives and native myths.” Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Olin - Art Department - Room 202 Reception Area Contributor An entity responsible for making contributions to the resource Donor: Value: $500.00 Provenance: Insurance: #kunc.karen #woodcut https://ccartcollection.concordiacollegearchives.org/files/original/d2f6a40d33707d72a59e819f82e9f83a.jpg 19f2f5044646537b4f8bb5b7e57dc3cc Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil on Canvas Physical Dimensions The actual physical size of the original image 23.75 x 36 Inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Tomb 29, Plan Creator An entity primarily responsible for making the resource Running, Cyrus Source A related resource from which the described resource is derived Notes: This is in a painted wood frame. The frame is blue. Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” Condition Report: Good (2019) Condition History: Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.27.10 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Academy-Room 312 Subject The topic of the resource This is an abstract painting featuring the overlapping of geometric figures forms and bright colors. Description An account of the resource This is an abstract painting featuring the overlapping of geometric figures forms and bright colors in hues of red, orange, yellow, and blue. https://ccartcollection.concordiacollegearchives.org/files/original/7f4ff18ea26bfac299e38b63b798ed08.JPG 889aae59f93747af48247bc3ef598bcd Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Ink (and Rust on Paper) Physical Dimensions The actual physical size of the original image 22x29.5 inches (image) | 29.75x38.75 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Topography of Home Identifier An unambiguous reference to the resource within a given context 1111.564.7 Subject The topic of the resource This ink and rust on paper piece shows a large, circular saw, covered in spots of rust. Description An account of the resource This piece is made of ink and rust on paper. The saw is a pale blue in color with spots of rust on top that are a brown/red in color. The majority of the rust is concentrated on the middle and right side of the saw. The top left portion of the saw is the most clear of rust. The paper the piece is on is a light tan in color. Creator An entity primarily responsible for making the resource Jacobson, Anna Publisher An entity responsible for making the resource available Concordia College Art Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Olin - Art Department - 2nd Floor Corridor Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: It is in a wood frame with glass. Anna Jacobson grew up in rural North Dakota on a family farm. She received her Bachelor of Arts in studio arts from Concordia College in Moorhead, Minnesota in 2003 and received her Master in Fine Arts degree from the University of North Dakota in 2010. Currently she is teaching art for a variety of institutions such as schools, museums, state art councils and art centers and has a position as the teaching artist for the North Dakota Council on the Arts. Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Contributor An entity responsible for making contributions to the resource Donor: Value: $0.00 Provenance: Insurance: #ink #jacobson.anna