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                <text>Concordia College Art Collection</text>
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                <text>Notes: This was accounted for in digital horizons, but the record was incomplete. &#13;
&#13;
    https://www.inforum.com/entertainment/art/4621518-North-Dakota-was-awful-lucky-to-have-him-Friends-remember-photographer-Leo-Kim&#13;
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                <text>Condition History:</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>||||osm&#13;
Lorentzsen--President's Conference Room</text>
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                <text>Hommage a J.S. Bach, 1946-56</text>
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                <text>This image is an original etching based off a Cubist painting by Georges Braque.</text>
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                <text>In this quintessential example of Braque's Cubist style, he pays tribute to famed composer J.S. Bach. This piece is remarkable for Braque's ability to depict a visual representation of music; we glimpse segments of musical instruments effortlessly and harmoniously arranged within a geometric order. Just below the center of the work the letters 'BACH JS' reveal to the viewer what the artist is illustrating, a visual interpretation of the beauty and splendor of classical music. Composed primarily in natural earth tones of brown, yellow, black, tan and grey, the linear dissection of the page appears like music notes on a scale at varying heights, lengths and tones in a unified composition. The painterly quality of the work adds a richness of depth and texture, giving the viewer a visual sense of the layered effect sound can create when it is a masterpiece. Pieces of musical instruments are revealed as one looks closely at the work, at the right a curved end of a stringed instrument makes us wonder if it could be a violin or a cello and from what musical work the artist was inspired by. The 'S' curves at the center of the image appear to be a continuation of the same instrument, with hints of the base and strings dispersed nearby. At the center, Braque (Argenteuil-sur-Seine, 1882- Paris, 1963) uses deeper tones of brown and grey, and as the work expands out the edges of the page he uses lighter and brighter hues, giving a sense of lightness to the image.&#13;
&#13;
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                <text>Braque, Georges</text>
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                <text>Notes:This etching was printed and published in 1950 by Maeght of Paris France. It was printed on RIVES BFK. The etching is from a painting of the same title, which is housed in the MOMA, NYC. The painting is dated 1911-12. This print is labeled in graphite, 5/300 (in the left lower corner below the bottom plate edge, and with the signature of Georges Braque on the bottom right. It is a beautiful impression of a complex multiple plate intaglio containing at least 6 plates/colors.&#13;
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Georges Braque(French, 1881-1963)&#13;
Etching and aquatint&#13;
Gift of Phyllis E. Zimmerman to Concordia College&#13;
"In Memory of William and Isabelle Zimmerman"</text>
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                <text>Condition Report:The painting and frame are in excellent condition.</text>
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                <text>Condition History: No repairs have been made to the piece or it’s frame. </text>
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                <text>Installation Needs:Security hanging device is mandatory for this print.</text>
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                <text>Concordia College Art Collection</text>
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Added to the data base in 2019</text>
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                <text>Donor:Gift from Estate of Phyllis E. Zimmerman ’59, In memory of William and Isabelle Zimmerman.</text>
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                <text>Value:A later print from the same edition in good condition was valued in 2013 at $12,500.  http://www.masterworksfineart.com/inventory/3165</text>
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                <text>Insurance:</text>
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                <text>2019.21.29</text>
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            <description>Information about rights held in and over the resource</description>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Hvidsten Music Building room 134</text>
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                <text>Allen, Paul</text>
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                <text>Notes: This is in a 2 piece painted wood frame.  There is a plaque that reads "presented by Alpha Zete-Athenian Societies 1961"</text>
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                <text>Condition History:</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs:</text>
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                <text>Concordia College Art Collection</text>
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                <text>Value:</text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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            <elementTextContainer>
              <elementText elementTextId="6437">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>1111.384.10</text>
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Hvidsten--Room 134</text>
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            <name>Subject</name>
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                <text>This is a still life with multiple vases of flowers.</text>
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            <description>An account of the resource</description>
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                <text>This is a still life with multiple vases of flowers.  The vases are sitting on a table in an ambiguous space.  </text>
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                <text>Notes:Richard, 'Rick', Mikkelson grew up in the Red River Valley and attended Concordia College in 1965. He graduated with a Bachelor's degree in art. He also earned an M.A. and an M.F.A in painting from the University of Iowa in 1967 and 1969. Much of his work his inspired by his life growing up in the Red River Valley and Breckenridge, or landscapes in Spain. Many of his works depict landscapes, figures or still lifes. While many of his works are representational, he also focuses heavily on abstraction and symbolism. He chaired the Art Department at the State University of New York - Plattsburgh for 10 years. Currently he works as a professor of drawing and painting at that school.</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Lorentzsen - Lower Level break room</text>
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                <text>Notes: Richard, 'Rick', Mikkelson grew up in the Red River Valley and attended Concordia College in 1965. He graduated with a Bachelor's degree in art. He also earned an M.A. and an M.F.A in painting from the University of Iowa in 1967 and 1969. Much of his work his inspired by his life growing up in the Red River Valley and Breckenridge, or landscapes in Spain. Many of his works depict landscapes, figures or still lifes. While many of his works are representational, he also focuses heavily on abstraction and symbolism. He chaired the Art Department at the State University of New York - Plattsburgh for 10 years. Currently he works as a professor of drawing and painting at that school.</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Lorentzsen - lower level break room</text>
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                <text> Running, Cyrus M.</text>
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                <text>Notes: Notes: This piece is unframed. Donor believes these were doodle drawings of Cyrus Running's for the backdrops of the Christmas Concert.&#13;
Cyrus Running  (b.1913 - d.1976)&#13;
Art Professor; Department Chair at Concordia College 1940-1972. &#13;
Born in Veblen, SD, Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha.&#13;
 &#13;
In addition to developing Concordia’s Art Department and carrying a full teaching load, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.”&#13;
&#13;
From Wikipedia: Cyrus M. Running (1913-1976) was an American regionally distinguished painter. A student of Grant Wood, he is sometimes considered a regionalist. Much of his art focuses on themes common to Minnesota or Norway. He was a member of the faculty of Concordia College in Moorhead, Minnesota, for many years.&#13;
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In Storage</text>
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Flat files</text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>This is an abstract pen and watercolor artwork.</text>
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                <text>This is an abstract pen and watercolor artwork. In the center are three blue circles adorned with a variety of lines and patterns.  Surrounding the circles are patches of gray and brown in addition to other lines and patterns</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>Notes:    https://www.inforum.com/entertainment/art/4621518-North-Dakota-was-awful-lucky-to-have-him-Friends-remember-photographer-Leo-Kim</text>
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                <text>Condition History:</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs:</text>
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                <text>Value:</text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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Olin 1st floor hallway</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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            <description>An account of the resource</description>
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