38 10 428 https://ccartcollection.concordiacollegearchives.org/files/original/335ad9af30a9bf1c4d7bb92a5399c3b8.jpg b090e0b9a06887b60af1d4246d22bdb3 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor with Pen and Ink Physical Dimensions The actual physical size of the original image 22 inches x 7 1/4 inches(image) 33 inches x 19 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Trees, Edge of Town Subject The topic of the resource This painting is of the edge of a town. Description An account of the resource Town is on the left and there are rows of trees on the right.It appears to be fall or spring based on the tree's state. Creator An entity primarily responsible for making the resource Running, Cyrus M., 1913-1976 Source A related resource from which the described resource is derived Notes: Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combi Condition Report: good 2021 Condition History: Maintenance; Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.437.12 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm Mugaas : office 110 https://ccartcollection.concordiacollegearchives.org/files/original/dac5f541e7bbb3d8119fe4ea4709217a.JPG 1368fca39aec0a1761b0bff990086c74 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 12 Watercolor with Pen and Ink Physical Dimensions The actual physical size of the original image 9.75x14.25 inches (image) | 17.75x21.75 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Landscape) Identifier An unambiguous reference to the resource within a given context 1111.307.12 Subject The topic of the resource This watercolor is of a landscape. Description An account of the resource This is a watercolor piece of a landscape. There are a number of different colors that include bright green, orange, black, yellow, blue and purple. The green and brown colors are used to show the different hills in the piece while the black is shown in three places where foliage such as trees are represented. The blue and purple colors make up the sky in the background. Creator An entity primarily responsible for making the resource Running, Eldrid Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: This is in a wood frame with glass and used to be in the coffee room in the Outreach Building. Eldrid Running, born Eldrid Thorpe, married Cyrus M. Running in 1940. They raised four children together during their time in Iowa and Moorhead. Alongside Cyrus, Eldrid was also an artist and preferred creating watercolor paintings and drawings. Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Academy - Religion Department - Room 207 Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: #running.eldrid #watercolor https://ccartcollection.concordiacollegearchives.org/files/original/4268bf9caf6fd506618ab1523d58d328.jpg 7e5375fe95ae290d3fb06429b716b053 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor Painting Physical Dimensions The actual physical size of the original image 11.75 x 16 inches (image) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled (Small town with Church Steeple) Subject The topic of the resource The art object is a vibrant watercolor painting of a small town. Description An account of the resource The art object is a vibrant watercolor painting of a small town. In the background, the sky is comprised of various hues of blue, outlining features like a water tower and a steeple. In the middle ground is a swath of forest, surrounding multiple houses. In the foreground there is a small path and foliage comprised of many hues such as brown, tan, green, and blue. Creator An entity primarily responsible for making the resource Running, Eldrid Source A related resource from which the described resource is derived Notes: This is unframed, would need to be framed in order to be displayed on campus Condition Report: Good (2019) Condition History: Maintenance: Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.534.12 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm In Storage ||||osm flat files https://ccartcollection.concordiacollegearchives.org/files/original/1039daa3fcc385da44cb89997ec14f2a.jpg 0383d7c297ed4e1605ed9b3f7688816e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Drawing Physical Dimensions The actual physical size of the original image 25x21 inches (frame) 20x16 inches(image) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Untitled Creator An entity primarily responsible for making the resource Running, Eldrid Contributor An entity responsible for making contributions to the resource Donor: Kathy Stein Value: $200 Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 2020.5.2 Subject The topic of the resource charcoal Drawing Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: outside of ISC #132 Description An account of the resource This drawing appears as if the viewer is getting a peak into the undergrowth of thick trees and brush in the woods. the darkest area is cental in the composition with light areas of foliage around the outside of the image https://ccartcollection.concordiacollegearchives.org/files/original/987051ef6c0a10fb3eb014d929faf1f9.jpg 9fac41d0dfa87ca8d2d79cb0eb3d057d Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 36, woodcut on paper. Physical Dimensions The actual physical size of the original image 16 x 24.25 inches (image) | 23.75 x 33.25 inches (with frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old Wood Identifier An unambiguous reference to the resource within a given context 2012.9.36 Subject The topic of the resource The art object is a woodcut print depicting a tree that primarily takes up most of the composition. Description An account of the resource The art object is a woodcut print depicting a tree that primarily takes up most of the composition. This print is a multiple block woodcut registered with a light reddish brown woodprint background showing the pronounced grain of the block running horizontally. A red circle representing the sun, low in the sky in the right central part of the composition is printed over the brown block. A solid gray block is printed to show the color of the massive trunk of the knotty, gnarled old tree that dominates the composition. A black key block unites and dominates the image with bold textural marks on the tree trunk, delineation of braches of the large central tree, as well as showing trees on the left and right in the background above the snow covered white foreground. The large tree breaks through the center bottom of the picture frame (image edge). The title (on the left) and signature (on the right) are signed in graphite beneath the image. The print has no markings regarding edition. Creator An entity primarily responsible for making the resource Running, Orville M. Publisher An entity responsible for making the resource available Concordia College Art Collection Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: 1st floor across from 133 Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: Creation date of the piece is unknown. Woodcut. Image size – 24.5x16”. Frame (wood) size – 33.5x24”. The piece is matted in a single white mat. Condition Report: Condition History: No repairs have been made to the piece or it’s frame. Maintenance: Installation Needs: Security hanging device is mandatory for this painting. Contributor An entity responsible for making contributions to the resource Donor: The painting was donated by William A. ’49 and JoAnn Johnson Value: This piece was valued by Charles Beck on 11/14/2012 at $800. Provenance: Insurance: #running.orville #woodcut #woodcut.on.paper https://ccartcollection.concordiacollegearchives.org/files/original/fc8d2c74c1348a370048e06d7a76d658.jpg 17053378aecdaf6e668ed99bcb14380e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Intaglio (studio print) Physical Dimensions The actual physical size of the original image 23.5x35.5 inches (image) | 35x47 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Blind Lead the Blind Identifier An unambiguous reference to the resource within a given context 1111.228.29 Description An account of the resource This is a print that shows six figures. The three figures on the far left side of the piece are shown very dark, and the area around them is in darkness. They are reaching towards the fourth figure in the piece. The fourth figure is shown riding a cow and looking back towards the left. The last two figures are on the far right of the piece, in the lightest section. One figure is on the bottom right, reaching up, and only half in the image. The other figure is shown as reaching down for the figure falling out of frame. Creator An entity primarily responsible for making the resource Sampson, J. Frank Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Subject The topic of the resource This piece is a print that shows six figures, in varying shades of lightness and darkness. One of the figures is riding a cow. Source A related resource from which the described resource is derived Notes: This is in a wood frame with glass. * The piece will be on loan to the North Dakota Museum of Art until fall 2019. Frank Sampson was born on a farm in North Dakota in 1928. His first relationships, and some of the greatest inspirations for his work, were with animals on his families farm. He received an edcation in art, including a Master's Degree from the University of Iowa. He also won a fulbright scholarship to Belgium to exhibit his work in Luxembourg. He spent a year in Japan that also inspired many works. After 37 years of teaching at the University of Colorado, Boulder, he retired. The animals in his works are always participants in the human activity of the piece, rather than just bystanders. The also cites the Grimm's fairy tales as a large influence on his pieces. He has stated that their is nothing grim, or idyllic about the animals in his pieces, rather they participate as humans do in human activities. His work has been exhibited all over the country, and in many countries around the world. Frank Sampson Retrospective opens at the North Dakota Museum of Art July 18 and continues through October 7, 2019 Thursday, July 18 at 5 pm -- The North Dakota Museum of Art will open a long-awaited retrospective exhibition by native son Frank Sampson. For three decades Mr. Sampson - now ninety-one years old - taught painting and printmaking at the University of Colorado in Boulder where he continues to make his home. He returns for a month each summer and winter to his North Dakota family home in Edmore. He flies into Devils Lake from Denver carrying a big roll of Arches paper. Up to a dozen new paintings rolled up under his arm go back to his Boulder studio to be mounted and framed. A peek preview of many of these same paintings can be had at the kick-off of the Museum's Concerts in the Garden on Tuesday, July 16th. Mr. Sampson will be present at the July 18th opening. When asked about his paintings, Mr. Sampson says, "In looking for past experiences and antecedents that may have influenced my work as an artist I think immediately of my childhood on a farm near Edmore, North Dakota surrounded by pigs, chickens, horses and cows as well as a story-telling mother who entertained and rewarded her five sons with vivid adventure stories. Her wonderful tales were full of fantasy and frequently animals played major roles." Mr. Sampson has seen much of the world and many more animals since leaving Edmore for Concordia College in Moorhead. With his BA in hand he moved on to Iowa City in 1950 and emerged two years later with his MFA in painting and printmaking from the University of Iowa. Two years in the army followed. Under the G.I. Bill, Mr. Sampson returned to Iowa for three years of postgraduate work under Mauricio Lasansky, the groundbreaking and world-famous master printmaker (1956-50). Wherever he studied, however, he took extra classes in art history and that led to his successful Fulbright application to study the paintings of Hieronymus Bosch and James Ensor in Belgium (1959 - 1960). Upon his return to the States, he was invited to join the Art Faculty at the University of Colorado in Boulder in 1961. He never left but retired in 1990 as a full professor. His childhood interest in the farm animals - his job was to feed the chickens and gather the eggs - like his love of art history continues to absorb him. Bears and Brahman cows, elephants, storks and pelicans, and giraffes and foxes join his earlier cows and horses, pigs and chickens that peopled his earlier paintings. Weaving in and out of his visual stories is the French character, the sad clown Pierrot identified by his white painted face and pointed white hat. Pierrot is a stock character in nineteen-century comedies and pantomimes. In Mr. Sampson's world the humans and the animals are all creatures interacting among themselves. According to Colorado critic Michael Paglia, "Legendary Magic Realist painter Frank Sampson is still making magic at age ninety plus. His signature style is a soft, classic realism that has a kinship with the Old Masters, with lots of umbers and ochres lending the paintings a sense of dark mystery, like a Rembrandt. But this traditional mood is broken by the preposterous - or at least unlikely - subjects that he addresses and this is where the "magic" part of magic realism comes in. His depictions might be found in the clearing of a deep wood, springing up around a curve, or at some incomprehensible event. Only the painting tells the story." Artists are remembered or forgotten 1) if influential public institutions exhibit and collect their work, and 2) there is a seminal publication about their artwork. Frank Sampson's art has been seen in an impressive diversity of venues. A shortlist demonstrates the cross-cultural appeal of his paintings: the United States Library of Congress; Belgium, Brazil, Tokyo, the Denver Art Museum; the Nelson-Atkins Museum, Kansas City; the Berkeley Art Center; the Joslyn Art Museum, Omaha, Nebraska; the Minnesota Museum of Art, St. Paul; the Boston Public Library. Except for small brochures, however, no such publication exists for this ninety-one-year-old artist. Importantly, the North Dakota Museum of Art is mounting this retrospective and will acquire a significant collection of paintings and prints, all gifts from the artist. This will establish his archive in North Dakota, the mandate of the State Art Museum, named by the state legislature in 1985. It will also publish the definitive book of Mr. Sampson's art and life, which will assure his place in the history of art on the northern plains. Eric Hylden has traveled twice to Boulder with Curator Laurel Reuter to photograph the work for the publication. Hylden's father was Mr. Sampson's Concordia College roommate. Others who have work with the Museum staff organizing the exhibition are photographers Mark Strand of Moorhead and Paul Gronhovd of Grand Forks. A smaller version of the exhibition will tour North Dakota through the Museum's Rural Arts Initiative into 2022, without charge to the hosting communities. Already it is slated to go to Minot in January 2020, The International Peace Gardens in the spring, and Minot State in October. https://www.youtube.com/watch?v=DHSqYMFVWn0 Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: Near ISC #208 Contributor An entity responsible for making contributions to the resource Donor: Value: $5000.00 Provenance: Insurance: #itaglio #sampson.frank https://ccartcollection.concordiacollegearchives.org/files/original/c5b525763a5bbcd25d0eaaba376de7af.jpg 7a72d5a3e65beb1ea5aa4505caf8f25a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 29 intaglio print Physical Dimensions The actual physical size of the original image 19.5 x 25 (image) | 29 x 34.75 (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Three Blind Bats Subject The topic of the resource The image is a pint of three intersecting bats in a linear configuration. Description An account of the resource The image is a pint of three intersecting bats in a linear configuration. They have a ghoulish appearance with their differing expressions and amount of mark making. Creator An entity primarily responsible for making the resource Sampson, J. Frank Source A related resource from which the described resource is derived Notes: As of January 2019, the piece will be on loan to the North Dakota Museum of Art until its return in the fall. This in a wood frame with glass. The is the fifth print in an edition of 25. Frank Sampson Retrospective opens at the North Dakota Museum of Art July 18 and continues through October 7, 2019 Thursday, July 18 at 5 pm -- The North Dakota Museum of Art will open a long-awaited retrospective exhibition by native son Frank Sampson. For three decades Mr. Sampson - now ninety-one years old - taught painting and printmaking at the University of Colorado in Boulder where he continues to make his home. He returns for a month each summer and winter to his North Dakota family home in Edmore. He flies into Devils Lake from Denver carrying a big roll of Arches paper. Up to a dozen new paintings rolled up under his arm go back to his Boulder studio to be mounted and framed. A peek preview of many of these same paintings can be had at the kick-off of the Museum's Concerts in the Garden on Tuesday, July 16th. Mr. Sampson will be present at the July 18th opening. When asked about his paintings, Mr. Sampson says, "In looking for past experiences and antecedents that may have influenced my work as an artist I think immediately of my childhood on a farm near Edmore, North Dakota surrounded by pigs, chickens, horses and cows as well as a story-telling mother who entertained and rewarded her five sons with vivid adventure stories. Her wonderful tales were full of fantasy and frequently animals played major roles." Mr. Sampson has seen much of the world and many more animals since leaving Edmore for Concordia College in Moorhead. With his BA in hand he moved on to Iowa City in 1950 and emerged two years later with his MFA in painting and printmaking from the University of Iowa. Two years in the army followed. Under the G.I. Bill, Mr. Sampson returned to Iowa for three years of postgraduate work under Mauricio Lasansky, the groundbreaking and world-famous master printmaker (1956-50). Wherever he studied, however, he took extra classes in art history and that led to his successful Fulbright application to study the paintings of Hieronymus Bosch and James Ensor in Belgium (1959 - 1960). Upon his return to the States, he was invited to join the Art Faculty at the University of Colorado in Boulder in 1961. He never left but retired in 1990 as a full professor. His childhood interest in the farm animals - his job was to feed the chickens and gather the eggs - like his love of art history continues to absorb him. Bears and Brahman cows, elephants, storks and pelicans, and giraffes and foxes join his earlier cows and horses, pigs and chickens that peopled his earlier paintings. Weaving in and out of his visual stories is the French character, the sad clown Pierrot identified by his white painted face and pointed white hat. Pierrot is a stock character in nineteen-century comedies and pantomimes. In Mr. Sampson's world the humans and the animals are all creatures interacting among themselves. According to Colorado critic Michael Paglia, "Legendary Magic Realist painter Frank Sampson is still making magic at age ninety plus. His signature style is a soft, classic realism that has a kinship with the Old Masters, with lots of umbers and ochres lending the paintings a sense of dark mystery, like a Rembrandt. But this traditional mood is broken by the preposterous - or at least unlikely - subjects that he addresses and this is where the "magic" part of magic realism comes in. His depictions might be found in the clearing of a deep wood, springing up around a curve, or at some incomprehensible event. Only the painting tells the story." Artists are remembered or forgotten 1) if influential public institutions exhibit and collect their work, and 2) there is a seminal publication about their artwork. Frank Sampson's art has been seen in an impressive diversity of venues. A shortlist demonstrates the cross-cultural appeal of his paintings: the United States Library of Congress; Belgium, Brazil, Tokyo, the Denver Art Museum; the Nelson-Atkins Museum, Kansas City; the Berkeley Art Center; the Joslyn Art Museum, Omaha, Nebraska; the Minnesota Museum of Art, St. Paul; the Boston Public Library. Except for small brochures, however, no such publication exists for this ninety-one-year-old artist. Importantly, the North Dakota Museum of Art is mounting this retrospective and will acquire a significant collection of paintings and prints, all gifts from the artist. This will establish his archive in North Dakota, the mandate of the State Art Museum, named by the state legislature in 1985. It will also publish the definitive book of Mr. Sampson's art and life, which will assure his place in the history of art on the northern plains. Eric Hylden has traveled twice to Boulder with Curator Laurel Reuter to photograph the work for the publication. Hylden's father was Mr. Sampson's Concordia College roommate. Others who have work with the Museum staff organizing the exhibition are photographers Mark Strand of Moorhead and Paul Gronhovd of Grand Forks. A smaller version of the exhibition will tour North Dakota through the Museum's Rural Arts Initiative into 2022, without charge to the hosting communities. Already it is slated to go to Minot in January 2020, The International Peace Gardens in the spring, and Minot State in October. https://www.youtube.com/watch?v=DHSqYMFVWn0 https://www.youtube.com/watch?v=DHSqYMFVWn0 Condition Report: Fair (2019) Condition History: Maintenance: The image is in good condition though the frame has slight nicks and scratches. there is a slight amount of water damage on the back bottom corner of the cardboard on the back. Installation Needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value:$5000.00 (2019) Provenance: Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.231.29 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: Near ISC #208 |3|0.0000000|0.0000000|osm Date A point or period of time associated with an event in the lifecycle of the resource Unknown https://ccartcollection.concordiacollegearchives.org/files/original/cd45a70c2128b1b692dfc55242d80896.jpg 1673536bd8d362cdb53981a4d6748a28 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Watercolor on paper. Physical Dimensions The actual physical size of the original image 19x15 inches (without frame) | 14.25x10.25 (without frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Old Music Hall C.C. Subject The topic of the resource The object is a watercolor painting of a two-story buildings with trees in the foreground. Description An account of the resource The art object is a watercolor painting. In the background is a gray and overcast sky. There is a white two-story building with red accents on the roof, awning, and scaling the bottom. In the foregound are two groupings of black figures on the gounds of the building, as well as whispsy, barren trees. Creator An entity primarily responsible for making the resource Sanden, Arthur R. Source A related resource from which the described resource is derived Notes: Condition report: 2019, good Condition History: Maintenance Installation needs: Publisher An entity responsible for making the resource available Concordia College Art Collection Contributor An entity responsible for making contributions to the resource Donor: Value: Provenance; Insurance: Rights Information about rights held in and over the resource To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office Identifier An unambiguous reference to the resource within a given context 1111.450.12 Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Hvidsten - Main Office https://ccartcollection.concordiacollegearchives.org/files/original/024a67a94d74d8de5313cadfd0b4409c.JPG b71c7aaffbbf9c7807c76e0086f2fa73 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Physical Dimensions The actual physical size of the original image 21.5x17 inches (image) | 29x24.75 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource West Duluth Identifier An unambiguous reference to the resource within a given context 1111.208.12 Subject The topic of the resource This is a piece of Duluth seen from the top of a hill. Description An account of the resource This is an abstracted piece that depicts West Duluth from the top of a hill. On the right side of the piece is a hill that is made up of dark blue, blacks and green colors. On the left side of the piece a neighborhood is shown and consists of mainly dark blue and black colors. The foreground of hte piece shows small hills that contain a small number of inidividual houses. Orange, green and light blue colors make up the foreground of the image. In the background, past a small stripe of white space, is a field with a fw small trees that is made up of dark blue, light blue and green colors. Creator An entity primarily responsible for making the resource Schauer, Rudy Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: This is in a painted wood frame with glass. Rudolph 'Rudy' Schauer was born on November 4, 1926 in Milwaukee Wisconsin. He attended Milwaukee public schools until he enlisted in the Army Air Force upon his graduation in 1944. He served in the 404th Bomber Squad and was honorably discharged in 1946. Upon his discharge from the Air Force, he received his BS degree in Art Education in 1952 from Wisconsin State Teachers College and his MS degree in Art Education/Studio from the University of Wisconsin, Madison in 1954. He married in 1957 and moved to Duluth, Minnesota not long after where he was hired by the University of Minnesota-Duluth where he taught art for 38 years. He passed away on July 20, 2004. Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Academy - Religion Department - Room 213 Contributor An entity responsible for making contributions to the resource Donor: Value: $400.00 Provenance: Insurance: #schauer.rudy https://ccartcollection.concordiacollegearchives.org/files/original/eccf27f3af0cd68eb324d35f16f89f8e.JPG b40bc7593980be50b5e614c974602546 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Monotype Physical Dimensions The actual physical size of the original image 36.25x23.5 inches (image) | 44.25x30 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Dream Horse at Concordia #1 Identifier An unambiguous reference to the resource within a given context 1111.308.49 Subject The topic of the resource This piece is a monotype print that shows an abstracted horse in purple, blue and green colors on a tan background. Description An account of the resource This is a monotype print showing an abstracted horse. The horse is facing away from the viewer. The head of the horse is looking to the right side of the piece and is in purple. A small portion of the body on the bottom right side of the horse is also in the same light purple color. The majority of the horse's body is in a yellow/green color. A thin portion of the horse's body on the left side of the piece and a small portion of the body underneath the head on the right side of the horse are in a deep, royal blue. There is a small stripe of red color between the purple and green sections of body. The horse sits on top of a light tan background. This is in a metal frame with glass. Creator An entity primarily responsible for making the resource Scholder, Fritz Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: This is in a metal frame with glass. Fritz Scholder was an Native American artist who grew up in Breckenridge, Minnesota. He was born on October 6th, 1937 and was one-quarter Luiseño. Growing up his teacher was Oscar Howe, who was a notable Yankton Dakota artist. He studied under many different artists growing up, and briefly studied at the Wisconsin State University in Superior. He moved with his family to Sacramento, California where he continued his study of art. His works sought to deconstruct the mythos surrounding the Native American Indian and were often post-modern in style, although, they sometimes ventured into the style of Pop Art. Fritz Scholder died on February 10, 2005. Posthumously, he was recognized by then Governor of California Arnold Schwarzenegger as a California Hall of Fame inductee in 2009. Condition Report: Good (2018) Condition History: Maintenance: In 2020 this piece fell off the wall in Offutt and broke the glass and the frame. No harm was done to the print. March 2021 this piece was taken to Underbrush to have install new museum glass and silver frame. Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Offutt - Second Floor Contributor An entity responsible for making contributions to the resource Donor: Value: $7,500.00 Provenance: Insurance: #monotype #scholder.fritz