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      <src>https://ccartcollection.concordiacollegearchives.org/files/original/3d0d8f8ffc898352315f26df578ce9c7.jpg</src>
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        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Concordia College Art Collection</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest.</text>
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          <element elementId="39">
            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>The Concordia College Art Committee</text>
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    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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      <element elementId="7">
        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <text>Oil on panel</text>
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        <name>Physical Dimensions</name>
        <description>The actual physical size of the original image</description>
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          <elementText elementTextId="8039">
            <text>17x 23 1/2 inches(image)&#13;
19 1/2 x 26 inches (frame)</text>
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      <name>Dublin Core</name>
      <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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        <element elementId="41">
          <name>Description</name>
          <description>An account of the resource</description>
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              <text>This abstracted landscape oil painting features seven tall trees, whose thin, tall trunks dominate the composition. The mottled colors and textures on the trunks imply a tree species such as poplars or birch. Golden light emerges from the space behind the trees, warming the otherwise cool palette of greens, blues, grays, and crème hues, all of light values. The brush and knife work on the surface is impasto and active, implying motion in the image. </text>
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        <element elementId="50">
          <name>Title</name>
          <description>A name given to the resource</description>
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            <elementText elementTextId="8018">
              <text>Untitled (Landscape)</text>
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          </elementTextContainer>
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        <element elementId="49">
          <name>Subject</name>
          <description>The topic of the resource</description>
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            <elementText elementTextId="8021">
              <text>This is an image of 7 birch trees</text>
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        <element elementId="39">
          <name>Creator</name>
          <description>An entity primarily responsible for making the resource</description>
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            <elementText elementTextId="8022">
              <text>Carlander, John</text>
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          <name>Source</name>
          <description>A related resource from which the described resource is derived</description>
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              <text>Notes: Painting by John Carlander, dated 1965 &#13;
This painting was purchased by my husband, D. Bruce Erickson, who graduated from Concordia College in 1965. He and John were friends at Concordia. Following his graduation, Bruce was a graduate student at Yale University, New Haven, CT, in the Department of Mathematics and eventually received his Ph.D. from that institution. &#13;
The original frame on the painting was made from old barnwood. While he was away at graduate school, Bruce's parents reframed the painting with a French-Provincial-style frame, much to Bruce's dismay. &#13;
Bruce and I met at Yale University in 1968 and were married in 1969. Both our children were born in New Haven, but we wished to relocate to the Midwest. Our opportunity came when Bruce was offered a one-year appointment teaching mathematics at Concordia for the 1973-74 academic year, to fill in for Dr. Gerald Heuer who would be on sabbatical. His appointment was extended for another year. Then he obtained a position at North Dakota State University to be part of a team to begin a computer science program there. Bruce worked at NDSU until his retirement for medical reasons in 2006. He was eventually diagnosed with progressive supranuclear palsy and died in 2009. &#13;
The current frame on the painting was purchased sometime in the 1970s. Bruce and I looked for a barnwood frame but could not find one in the Fargo-Moorhead area. I know that Bruce would have loved to see the painting back in a barnwood frame. &#13;
I am donating this painting to Concordia College and hope that they will make it part of their art collection. If the painting is not incorporated into the collection, I authorize the college to dispose of it by giving it to a Concordia faculty member, staff member or alumnus, or by selling or auctioning it to raise money for the college. </text>
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              <text>Condition  Report: 2021 Excellent</text>
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            <elementText elementTextId="8035">
              <text>Maintenance:</text>
            </elementText>
            <elementText elementTextId="8036">
              <text>Installation Needs:</text>
            </elementText>
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          <name>Publisher</name>
          <description>An entity responsible for making the resource available</description>
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              <text>Concordia College Art Collection</text>
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        <element elementId="40">
          <name>Date</name>
          <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <elementText elementTextId="8028">
              <text>2021</text>
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        <element elementId="37">
          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
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              <text>Donor: M. Joy Erickson, widow of D. Bruce Erickson</text>
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            <elementText elementTextId="8030">
              <text> Value:</text>
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            <elementText elementTextId="8031">
              <text>Provenance:</text>
            </elementText>
            <elementText elementTextId="8032">
              <text>Insurance:</text>
            </elementText>
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        <element elementId="43">
          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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            <elementText elementTextId="8033">
              <text>2021.8.10</text>
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        <element elementId="38">
          <name>Coverage</name>
          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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            <elementText elementTextId="8034">
              <text>|3|0.0000000|0.0000000|osm&#13;
Advancement Center: Office 126</text>
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        <element elementId="47">
          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Chris Mortenson at cmortens@cord.edu or 218-299-4330.</text>
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