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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Concordia College Art Collection</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest.</text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>The Concordia College Art Committee</text>
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    <name>Still Image</name>
    <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
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        <name>Original Format</name>
        <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
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            <text>Relief Print (woodcut)</text>
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        <name>Physical Dimensions</name>
        <description>The actual physical size of the original image</description>
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            <text>16x37 inches (image) | 23.25x44 inches (frame)</text>
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          <name>Title</name>
          <description>A name given to the resource</description>
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              <text>To Concordia College </text>
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          <name>Identifier</name>
          <description>An unambiguous reference to the resource within a given context</description>
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              <text>1111.298.36</text>
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          <name>Subject</name>
          <description>The topic of the resource</description>
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              <text>This piece is a woodcut print with two partial circles on the far right and left that frame straight lines and large, brightly colored geometric shapes.&#13;
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          <name>Description</name>
          <description>An account of the resource</description>
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              <text>This piece is an abstract woodcut. The partial circle on the left is maroon in color. Inside are three stripes that begin orange and fade into a dark color. Around the bottom of each stripe  are lines that represent ripples beginning in orange and moving to blue and maroon colors.The partial circle on the right is white with a fuchsia trim. A pink triangle and two yellow triangles point towards each other in the center of the piece, with black between them. A blue stripe of color outlines the left most partial circle and continues across the top middle of the piece before moving down on the right side of the piece, framing the middle of the piece. The right side of the piece, around the partial circle, are stripes of light yellow and teal. The background of this portion transitions from orange into blue with small, light, erratic lines decorating the open spaces.</text>
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          <name>Creator</name>
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              <text>Kunc, Karen</text>
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          <name>Publisher</name>
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              <text>Concordia College Art Collection</text>
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          <name>Rights</name>
          <description>Information about rights held in and over the resource</description>
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              <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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          <name>Source</name>
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              <text>Notes: The piece is in a metal frame with glass. This woodcut is part of the Concordia Art Department Collection.&#13;
Karen Kunc was a part of the Concordia College class of 1988. &#13;
&#13;
From the artist's statement: &#13;
"My work as an artist/printmaker addresses issues of the landscape and our natural surroundings as direct influences from my Nebraska heritage, my daily experiences and viewpoints in the landscape of the plains and from extensive travel, and as artistic interpretation and contemplation on larger issues of the eternal life struggle, of endurance and vulnerability, growth and destruction."&#13;
&#13;
“My prints suggest extremes of weather and natural forces at work, a sense of the micro/macrocosm, set against landscape or space, both wild and cultivated, intimate and unknowable. I am interested in the span of time it takes to wear away a canyon, build a mountain, the erosion forces that continually wash onto the plains, forming the earth, and, ultimately, shaping our world. My hope is that these larger concepts are provoked by viewing my work with a poetic and intelligent sense of wonder."&#13;
&#13;
“My symbolic images are derived from a rich mix of instilled influences, born at home, and greatly expanded and contextualized from seeing life lived the world over, my experiences and past work, and issues in contemporary art. I recognize a host of associations that flow out of my work and are research interests for me - from nature and science, spiritual and religious thought, art historical and modern icons, immigration narratives and native myths.”</text>
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              <text>Condition Report: Good (2018)</text>
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              <text>Condition History:</text>
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              <text>Maintenance:</text>
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              <text>Installation Needs:</text>
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          <name>Coverage</name>
          <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <text>||||osm&#13;
Olin - Art Department - Room 202 Reception Area</text>
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          <name>Contributor</name>
          <description>An entity responsible for making contributions to the resource</description>
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              <text>Donor:</text>
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              <text>Value: $500.00</text>
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              <text>Provenance:</text>
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            <elementText elementTextId="4040">
              <text>Insurance:</text>
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      <name>#kunc.karen</name>
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