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                <text>Notes:  This is in a painted wood frame. It was framed in March of 1997.</text>
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Olin: Hallway near Olin 335</text>
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Shelf </text>
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                <text>Notes:  This is in a painted wood frame. It was framed in March of 1997.</text>
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Olin: Hallway near Olin 335</text>
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Shelf </text>
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                <text>Notes: In a wood frame with glass&#13;
Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. &#13;
&#13;
In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combi</text>
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Fjelstad, Office B10</text>
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                <text>Notes: Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. &#13;
&#13;
In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” </text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>The watercolor paitning depicts a rural landscape with clusters of trees and a small grouping of buildings.</text>
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                <text>Notes: These prints were purchased from part of the furniture budget for the ISC building.</text>
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              <elementText elementTextId="5388">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>Notes: These prints were purchased from part of the furniture budget for the ISC building.</text>
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                <text>Donor:These prints were purchased from part of the furniture budget for the ISC building.</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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ISC; 2nd floor hallway</text>
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                <text>Notes: This painting was worked on while he was a visiting artist here, it was special that he was deliberate to include some Cobber red in them. He also told us that the markings on the horse are inspired by C’s for Concordia</text>
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Knutson Center; student engagement office 248  (wall outside this office)</text>
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                <text>The oil painting depicts an abstract horse bucking the rider from the saddle.</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>This etching depicts a frontal portait of Martin Luther.</text>
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&#13;
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Lasansky, Diego. Diego Lasansky: Paintings, Drawings, Prints. Cedar Rapids: Cedar Rapids Museum of Art, 2015. Print.&#13;
 "Diego Lasansky, grandson of famed printmaker Mauricio Lasansky, is a painter and printmaker in his own right.  While still a student at the University of Iowa (BFA 2016), his work has already garnered local, national, and international attention.  Prior to his formal college education, Diego Lasansky learned about artistic processes not only from his grandfather, but also from his uncles, three of whom are professional artists.  Growing up within this exceptional artistic milieu allowed the young Diego to learn the masterful techniques he employs.  Lasansky’s work is figurative, and, like his grandfather, tends to focus on subjects readily available to him—such as family members—and those of historical and personal significance, such as Goya, Rembrandt, and Martin Luther.  Early success came to Diego Lasansky in his series Portrait at Eighteen, a set of 50 intaglio self-portraits, each with distinct differences from the rest in the series."&#13;
&#13;
               ~ Sean M. Ulmer, Executive </text>
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                <text>Installation Needs:</text>
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                <text>Donor: President Darrel D. Colson, President of Wartburg College</text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Academy 203</text>
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                <text>Notes: edition 15/200 (1978)</text>
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                <text>Condition History:</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs: </text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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            <description>An unambiguous reference to the resource within a given context</description>
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                <text>2019.13.36</text>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>|3|0.0000000|0.0000000|osm&#13;
Missing as of December 2023</text>
              </elementText>
              <elementText elementTextId="7059">
                <text>||||osm&#13;
Shelf G</text>
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