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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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                <text>Notes: The piece was framed in October 1995.</text>
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                <text>This is an abstract sculpture with three distinct forms connected seamlessly to one another at varying levels along the piece. This piece is a dark purple in color and is mounted on a light wood base.</text>
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                <text>This is an abstract piece with three distinct forms that connect seamlessly to one another. The first form is connected to the wooden base. This form extends two thirds of the way up the piece and curves around the back side of it. Connected to this form is the second noticeable form. This one extends outward, becoming very wide throughout the body of the piece. It does not extend all the way down to the wooden base and it curves around the back of the piece along with the first form. The form on top extend perpendicular to the first two forms. It lays mostly horizontal on the top of the sculpture but on the right hand side of the piece, it curves to connect with the bottom two forms.</text>
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                <text>Notes: This piece is a dark purple in color and is mounted on a light wood base.</text>
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Olin - Art Department - Outside Room 202</text>
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Offutt- Second Floor</text>
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                <text>The sculpture is a mixed media of welded steel and grapevine with an elongated and opening form that sits on a pedestal.</text>
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                <text>The sculpture is a mixed media of welded steel and grapevine with an elongated and opening form that sits on a pedestal. Th twisted form opens with an upward reaching motion of additional forms. There is emphasis placed on enhancing the natural qualities of the materials. &#13;
&#13;
From Karla Mickelson:&#13;
Night Dancer is one in a series of Night Dancers. A similar piece at the Plains Art Museum states, "... Depicting an anthropomorphic (human-like) figure dancing. Night Dancer is from a series of sculptures entitled Night Dancer. According to the artist, 'The series was inspired by an experience I had looking out the window of my home. A vulture appeared, soaring above the property in a very beautiful and lyrical manner, catching the air currents ... a dichotomy occurred to me. There was an interesting tension created between the beauty of form and movement, and the sense of foreboding that we associate with a vulture. I attempted to capture this dichotomy in the work.' "&#13;
&#13;
The wood is grape vine trunk from my cousin's vineyard in Fresno, California. We made a trip out to visit my cousin Sandra and her husband, Jon Marthedal. On arrival at their home Jon was in the process of cleaning out old and dead wood from the vineyard. There was a large pile that he was going to get rid of and Duane was mortified by the thought. He combed through the piles and pulled out several pieces that we shipped back home. The grape vine trunk appears in the Night Dancer series as well as in other sculptures. We have been to my cousin's home twice over the years and picked out grape vine trunks to bring home for future sculpture projects. &#13;
&#13;
 &#13;
&#13;
Duane loved the gnarly gestural quality of the grape vine trunks. If there were soft or rotting areas, to harden the wood, he would soak the pieces in linseed oil. &#13;
&#13;
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                <text>Notes: The scultpure sits on a wooden base. This piece was made in 2000. &#13;
&#13;
From Karla Mickelson:&#13;
 Night Dancer is one in a series of Night Dancers. A similar piece at the Plains Art Museum states, "... Depicting an anthropomorphic (human-like) figure dancing. Night Dancer is from a series of sculptures entitled Night Dancer. According to the artist, 'The series was inspired by an experience I had looking out the window of my home. A vulture appeared, soaring above the property in a very beautiful and lyrical manner, catching the air currents ... a dichotomy occurred to me. There was an interesting tension created between the beauty of form and movement, and the sense of foreboding that we associate with a vulture. I attempted to capture this dichotomy in the work.' "&#13;
&#13;
 &#13;
&#13;
The wood is grape vine trunk from my cousin's vineyard in Fresno, California. We made a trip out to visit my cousin Sandra and her husband, Jon Marthedal. On arrival at their home Jon was in the process of cleaning out old and dead wood from the vineyard. There was a large pile that he was going to get rid of and Duane was mortified by the thought. He combed through the piles and pulled out several pieces that we shipped back home. The grape vine trunk appears in the Night Dancer series as well as in other sculptures. We have been to my cousin's home twice over the years and picked out grape vine trunks to bring home for future sculpture projects. &#13;
&#13;
 &#13;
&#13;
Duane loved the gnarly gestural quality of the grape vine trunks. If there were soft or rotting areas, to harden the wood, he would soak the pieces in linseed oil. &#13;
&#13;
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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The Scent Catcher is one in a series of large woodland creatures. Duane always loved the setting of our home nestled in the woods on the shore of Lake 11. He enjoyed nature and would delight in seeing footprints in the soil or snow. Often, the prints were the only remaining 'remnants of the night." So one would wonder, what kind of creature was attached to those prints? As the creature wandered the woods, he tried to imagine what they looked like and what they would be doing. Lifting its head, the Scent Catcher has just caught a whiff of something on the edge of a breeze. There is both caution and curiosity as the creature tries to discern the scent.&#13;
&#13;
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&#13;
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&#13;
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                <text>Mikkelson, Richard</text>
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                <text>Concordia College Art Collection</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>Notes: This painting is in a painted wood frame.&#13;
&#13;
Richard, 'Rick', Mikkelson grew up in the Red River Valley and attended Concordia College in 1965. He graduated with a Bachelor's degree in art. He also earned an M.A. and an M.F.A in painting from the University of Iowa in 1967 and 1969. Much of his work his inspired by his life growing up in the Red River Valley and Breckenridge, or landscapes in Spain. Many of his works depict landscapes, figures or still lifes. While many of his works are representational, he also focuses heavily on abstraction and symbolism. He chaired the Art Department at the State University of New York - Plattsburgh for 10 years. Currently he works as a professor of drawing and painting at that school.&#13;
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                <text>Condition Report: Fair (2019)</text>
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                <text>Maintenance: The frame is in kind of rough shape. It would benefit from a new coat of paint, as some of it has chipped off.</text>
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                <text>||||osm&#13;
In Storage</text>
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                <text>||||osm&#13;
Shelf H</text>
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