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              <text>36 relief print, woodcut</text>
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                <text>Red Oaks</text>
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                <text>This woodcut shows a stand of red oaks in the background, against a yellow sky.</text>
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                <text>Red oaks stand thick and full beyond a plowed field. The yellowing sky behind them, as well as the red of the oaks and the coffee brain of the earth, provides a warm feel to the woodcut, yet that is dulled by the almost grayness of it.</text>
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                <text>Beck, Charles</text>
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                <text>Notes: The size given is for the image only. It is in a wood frame with glass.</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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President's Residence</text>
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                <text>Marx, Robert</text>
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                <text>The print depicts the profile of figure's face wearing a bishop's hat.</text>
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                <text>Notes: It is in a silver metal frame with glass. Marx was part of Concordia's Class of 1979. The piece is part of the Art Department Collection.&#13;
Robert Marx was born in Nordheim, Germany in 1925. He studied at the University of Illinois and Concordia College and traveled to Germany, Austria, Italy, Switzerland and France during his life time. During his travels he received much inspiration for works later in his life. Currently he lives in New York.&#13;
&#13;
From the artist's statement: "The people I draw, paint and sculpt personify the human condition. They are also the people we see around us, every day. I have favorite themes. I am troubled by: the arrogance of power, the exclusivity of the institutions of church and state, the abuse of and by both spouse and child, and our own and others' personal fears and insecurities... I work not only for myself, but also to make a connection with you."</text>
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Olin - Art Department - 1st Floor Corridor near Room 102</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>The print depicts the profile of figure's face wearing a bishop's hat. The body is elongated with limbs that move in slow motion. Details are carefully noted with black and red ink with splotches of color varying from red, green, and gray. </text>
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                <text>Holen, Norman</text>
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                <text>Notes:&#13;
From Norm Holen:&#13;
I was a professor of art for 40 years, 38 of which were at Augsburg University in Minneapolis, Minnesota.  I received my Bachelor of Arts degree from Concordia College in Moorhead, Minnesota, in 1959, and my Master of Fine Arts degree from the University of Iowa in Iowa City, Iowa, in 1962.  I am also a professor emeritus at Augsburg University. &#13;
&#13;
I have created sculpture, drawings, and pottery and have been in numerous exhibitions in various venues, including a one-person exhibitions in the Kresge Gallery at the Minneapolis Institute of Arts, and group shows at the National Gallery in Washington, D.C., and the Port of History Museum in Philadelphia.  I have participated in a great number of competitive exhibitions and have won national and international awards.  I have judged many state and national shows. &#13;
&#13;
 &#13;
&#13;
I have written a series of articles in art magazines such as the International Sculpture Magazine, the Artist’s Magazine, American Artist, Clay Times, and Pottery Making Illustrated.  My work is also seen in books such as the National Sculpture Society Celebrates the Figure by Jean Henry, Sculpture: Technique, Form, Content by Arthur Williams, and the Sculpture Reference by Arthur Williams.  I am in several biographical books including Who’s Who in America, Who’s Who in American Art, and Outstanding Educators of America.  I also received the Alumni Achievement Award from Concordia College in 1985 &#13;
&#13;
 &#13;
&#13;
My memoir, “Holen Chronicle,” data, and images of my art pieces are included in the archives of the Minnesota Historical Society, St. Paul, MN, the Red River Valley Genealogical Society in Fargo, ND, and the Norwegian American Genealogical Center in Madison, Wisc.  The Minnesota Historical Society also has my poem book, “Circle of Feathers,” and two of my tools and splints that my physically challenged students used in my art classes at Augsburg University.</text>
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                <text>Condition History:</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs: The sculpture will be on a pedestal under a vitrine. </text>
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                <text>Concordia College Art Collection </text>
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                <text>This piece is part of the Viola "Vi" Thompson '57 Collection.</text>
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                <text>Donor: sculpture by Norman Holen ‘59 that were purchased with a 2018 gift from Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). </text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>The piece was acquired in December 2018.&#13;
The piece was accessioned into the collection on January 24, 2019. </text>
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OSB; Barry reception area, East wall</text>
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                <text>This is a bronze sculpture of an owl on a wooden base.</text>
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                <text>Notes: sculpture by Norman Holen ‘59 that were purchased with a 2018 gift from Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). &#13;
&#13;
&#13;
From Norm Holen:&#13;
I was a professor of art for 40 years, 38 of which were at Augsburg University in Minneapolis, Minnesota.  I received my Bachelor of Arts degree from Concordia College in Moorhead, Minnesota, in 1959, and my Master of Fine Arts degree from the University of Iowa in Iowa City, Iowa, in 1962.  I am also a professor emeritus at Augsburg University. &#13;
&#13;
I have created sculpture, drawings, and pottery and have been in numerous exhibitions in various venues, including a one-person exhibitions in the Kresge Gallery at the Minneapolis Institute of Arts, and group shows at the National Gallery in Washington, D.C., and the Port of History Museum in Philadelphia.  I have participated in a great number of competitive exhibitions and have won national and international awards.  I have judged many state and national shows. &#13;
&#13;
 &#13;
&#13;
I have written a series of articles in art magazines such as the International Sculpture Magazine, the Artist’s Magazine, American Artist, Clay Times, and Pottery Making Illustrated.  My work is also seen in books such as the National Sculpture Society Celebrates the Figure by Jean Henry, Sculpture: Technique, Form, Content by Arthur Williams, and the Sculpture Reference by Arthur Williams.  I am in several biographical books including Who’s Who in America, Who’s Who in American Art, and Outstanding Educators of America.  I also received the Alumni Achievement Award from Concordia College in 1985 &#13;
&#13;
 &#13;
&#13;
My memoir, “Holen Chronicle,” data, and images of my art pieces are included in the archives of the Minnesota Historical Society, St. Paul, MN, the Red River Valley Genealogical Society in Fargo, ND, and the Norwegian American Genealogical Center in Madison, Wisc.  The Minnesota Historical Society also has my poem book, “Circle of Feathers,” and two of my tools and splints that my physically challenged students used in my art classes at Augsburg University. &#13;
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                <text>This piece is part of the Viola "Vi" Thompson '57 Collection.</text>
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                <text>Donor: sculpture by Norman Holen ‘59 that were purchased with a 2018 gift from Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). </text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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OSB; Barry reception area, East wall</text>
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                <text>Notes: This is in a 2 piece painted wood frame, used to be in the Admissions office</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>Notes:&#13;
Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. &#13;
&#13;
In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” </text>
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Academy-Room 307</text>
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                <text>Tomb 29, Plan</text>
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                <text>Notes: This is in a painted wood frame. The frame is blue.&#13;
Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. &#13;
&#13;
In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” </text>
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                <text>Concordia College Art Collection </text>
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                <text>Insurance:</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>1111.27.10</text>
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Academy-Room 312</text>
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                <text>This is an abstract painting featuring the overlapping of geometric figures forms and bright colors. </text>
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                <text>This is an abstract painting featuring the overlapping of geometric figures forms and bright colors in hues of red, orange, yellow, and blue. </text>
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                <text>Duluth Harbor</text>
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                <text>Jonas, Abner</text>
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                <text>Notes:This piece is part of the Vi Thompson collection</text>
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                <text>Condition Report: Excellent 2019</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs:</text>
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                <text>This piece is part of the Viola "Vi" Thompson '57 Collection.</text>
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                <text>This piece was acquired December 2018&#13;
Accessioned into the collection in February 2019</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Donor: Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). </text>
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                <text>Value: $800</text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4843">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>2019.3.29</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text>The woodcut print depicts the perspective from riding in a boat. </text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>The woodcut print depicts the perspective from riding in a boat. Beyond the edge, is a misty background with light blue water and a view of the looming silhouettes of distant buildings.</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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Grant Center 100A(maple slat wall in open atrium area, west wall</text>
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                  <text>Concordia College Art Collection</text>
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                  <text>The Concordia College Art Committee</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Shingle Church</text>
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                <text>Jonas, Abner</text>
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                <text>Notes: This piece is part of the Vi Thompson Collection</text>
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                <text>Condition History: This piece will be matted and framed in February 2019.</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs:</text>
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                <text>This piece is part of the Viola "Vi" Thompson '57 Collection.</text>
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                <text>The piece was acquired into the collection December 2018&#13;
This piece was accessioned in February 2019. </text>
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                <text>Donor: Lowell Thompson ’57, that establishes in part the Viola “Vi” Thompson ‘57 Collection within the Concordia College Permanent Collection( in memory of his wife who died this past year). </text>
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                <text>Value: $800</text>
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                <text>Provenance:</text>
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                <text>Insurance:</text>
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              <elementText elementTextId="4863">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Lorentzsen 250 President's Office</text>
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            <name>Subject</name>
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                <text>This intaglio print depicts a shaded pathway leading to small church.</text>
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                <text>This intaglio print depicts a shaded pathway leading to small church. A swath of foliage creeps into the right side of the composition, creating varying shades of green. A small church is centered in the composition with clusters of trees in the background and a sky turning to dusk.  </text>
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            <name>Creator</name>
            <description>An entity primarily responsible for making the resource</description>
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                <text>O'Rourke, James Tiernan</text>
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                <text>Notes: This piece is part of the Vi Thompson Collection</text>
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                <text>Condition History: Newly framed and matted in February 2019</text>
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                <text>Maintenance:</text>
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              <elementText elementTextId="4875">
                <text>Installation Needs</text>
              </elementText>
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          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
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                <text>Concordia College Art Collection</text>
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              <elementText elementTextId="5080">
                <text>This piece is part of the Viola "Vi" Thompson '57 Collection.</text>
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          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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              <elementText elementTextId="4877">
                <text>Acquired in December 2018&#13;
Accessioned in February 2019</text>
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          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Donor:</text>
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              <elementText elementTextId="4879">
                <text>Value:</text>
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              <elementText elementTextId="4880">
                <text>Provenance:</text>
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              <elementText elementTextId="4881">
                <text>Insurance:</text>
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          </element>
          <element elementId="49">
            <name>Subject</name>
            <description>The topic of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4921">
                <text>The print depicts numerous overlapping gothic cathedrals in hues of red, green, yellow, and cream. </text>
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          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
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              <elementText elementTextId="4922">
                <text>The print depicts numerous overlapping gothic cathedrals in hues of red, green, yellow, and cream. There is emphasis placed upon intricate architectural details of each of the cathedrals. </text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="47">
            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4923">
                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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            </elementTextContainer>
          </element>
          <element elementId="43">
            <name>Identifier</name>
            <description>An unambiguous reference to the resource within a given context</description>
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              <elementText elementTextId="4924">
                <text>2019.7.36</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="38">
            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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              <elementText elementTextId="4925">
                <text>|3|0.0000000|0.0000000|osm&#13;
OSB; Barry reception, North wall</text>
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          </element>
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