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Olin--Cyrus M. Running Gallery </text>
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                <text>Notes: This is on a Black Formica stand in the bridge between Olin and the Francis Frazier Comstock Theatre&#13;
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                <text>This is a cast bronze image of Earl and Dorothy Olson. The portraits extend down to the middle of their abdomens. Both are dressed formally and look out at the viewer. Dorothy is on the left while Earl is on the right, and both lean towards the middle of the piece. "Earl B &amp; Dorothy A. Olson" is at the top of the piece and "Parents, Regent, Benefactors. Soli Deo Gloria, Oct 2nd, 1994" is at the bottom of the piece. The crest of Concordia College is cast to the right of Earl.</text>
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Offutt Concourse - Lobby</text>
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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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                <text>Notes: This is a Direct Mount&#13;
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Library - Exterior Wall Near Entry</text>
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&#13;
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J. Paul Nesse grew up in the small town of Green Mountain, Montana. He began his career by studying portrait and figurative sculpture. He received a Master of Fine Arts in that field, however, he is most well known for his automotive sculptures. He strives to portray his figures accurately and realistically. Nesse maintains a studio in the St. Croix River Valley countryside near Stillwater, Minnesota. </text>
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Outside - West of Old Main</text>
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&#13;
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                <text>Notes: Growing up in the Midwest afforded Erik much of the psychological and visual imagery for his art.  His artistic images have also been fueled by his fascination with mythology.  The images that have evolved have the feel of painted dreams.  They speak of transitions, leaving one place for another and then returning to the same familiar place.  Whether the images are troubled, turbulent, calm, tender or playful, his work creates a sense of the sublime.   He provides an experience of being a part of something much greater than ourselves.  To that end, animals, windows, houses, water, boats, chairs and nature comprise a major part of his imagery.&#13;
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Erik’s paintings and sculptures are included in major collections of corporations, universities and museums as well as numerous private collections.  His art has been successfully entered in national and international competitions since 1979. Erik has exhibited his work in Los Angeles, New York, Denver, Sante Fe, Scottsdale, St Louis, Chicago, Atlanta; Minneapolis, Duluth, Bemidji, St Cloud and Moorhead Minnesota;  Bismarck, Grand Forks and Fargo North Dakota; Sioux City, Iowa; Manhattan, Kansas; Findlay, Ohio; and Irving, Texas. Erik graduated from Osage High School in 1968 and Concordia College, Moorhead Minnesota in 1972.  He also earned a Master of Fine Arts degree at the University of North Dakota in 1984, with a major in Painting and a minor in Printmaking.  He spent 21 years in a teaching career that encompassed a variety of teaching experiences and subjects from sixth grade social studies at the Erskine Minnesota School District to college lithography classes at Bemidji State University before moving to Scottsdale, Arizona to become a full time artist in 1994.  &#13;
Erik currently is living in Osage, Iowa.</text>
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&#13;
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Knutson - Atrium (near south entrance to the Centrum)</text>
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                <text>Notes: Growing up in the Midwest afforded Erik much of the psychological and visual imagery for his art.  His artistic images have also been fueled by his fascination with mythology.  The images that have evolved have the feel of painted dreams.  They speak of transitions, leaving one place for another and then returning to the same familiar place.  Whether the images are troubled, turbulent, calm, tender or playful, his work creates a sense of the sublime.   He provides an experience of being a part of something much greater than ourselves.  To that end, animals, windows, houses, water, boats, chairs and nature comprise a major part of his imagery.&#13;
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                <text>This mosaic mural that comes in five panels. The top panel is long and skinny, running horizontally over the other four. It shows items relating mostly to space and air. The panel underneath it on the left deals with people, growth, and learning. The top middle panel shows circular objects. The bottom middle panel shows nature and numbers. The panel on the far right snows different scenes including a boy and a fire.</text>
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The leftmost lower panel has fifteen sections. A tower frame with a ladder in red climb up toward the rainbow in the top panel. A bolt of lightning from there comes into this left panel. To the right of the tower are an atom structure, a lightbulb with a lightning bolt hitting its center, a yellow heart rate line across green tiles. Below is a fetus that is shown upside down, in the birthing position. This fetus's umbilical cord stretches into the adjacent section to the right, where it connects to a mostly black tree with branches that are bare. The background behind the tree is orange with some yellow. Below this tree is an upsidedown white tree. Below that is an older baby with blonde hair in a diaper sitting in a red rocking chair. She/he is holding an ABC book while a zebra runs behind him. To their left is a snail shell, which is below red-colored people dancing holding up their arms. They are below a pendulum that comes from the red tower. Behind the pendulum is a molecular structure.&#13;
The middle top panel has a gold French horn in front of a red circular shape. Next to it, each in their own sections are a cog, a circle with a mathematical equation, and a wheel. The panel below it has many numbers, a grasshopper, a boy in a red shirt leaning into a river with yellow fish, and a yellow and black cat beside him.&#13;
The panel on the right has a Greecian, or Roman styled pillar, a traffic light, a stylized version of the American flag, a crown, some jumbled letters and numbers, the profile of a mans face in blue and gray, a boy near some bare trees on red and orange ground with a large wheat head. He is flying a kite that goes up into the top panel. A feather, a chunk of citrus, some triangles, a basketball, a flame, and the handicapped sign: a simplistic wheelchair finish the panel. To the left of the boy is a bright flame with the words (in caps) "The irritation of doubt causes a struggle to attain a state of belief" C.S. Peirce. The words UFF DA are hidden in this mosaic.</text>
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Library - Vestibule</text>
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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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                <text>Notes: There are 5 panels to this mosaic. They have direct mount.&#13;
David Hetland was born in 1947 in Fargo, North Dakota. He studied under Cyrus M. Running while he was a student at Concordia College before graduating in 1969. In 1965, he took over design and creation of the Concordia College Christmas Concert murals and completely took over the role of designer in 1975. Some of Hetland's works are internationally known such as the Jerusalem Cross that was commissioned by the ELCA and presented to Pope John Paul II. Another of his mosaics hangs in the entrance of the ELCA's churchwide offices in Chicago. At Concordia, he designed the president's medallion in 1980 and is also known for a mosaic mural in the library. David Hetland died on April 16th, 2006.</text>
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&#13;
David Hetland was born in 1947 in Fargo, North Dakota. He studied under Cyrus M. Running while he was a student at Concordia College before graduating in 1969. In 1965, he took over design and creation of the Concordia College Christmas Concert murals and completely took over the role of designer in 1975. Some of Hetland's works are internationally known such as the Jerusalem Cross that was commissioned by the ELCA and presented to Pope John Paul II. Another of his mosaics hangs in the entrance of the ELCA's churchwide offices in Chicago. At Concordia, he designed the president's medallion in 1980 and is also known for a mosaic mural in the library. David Hetland died on April 16th, 2006.</text>
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Welcome Center - 2nd Floor</text>
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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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                <text>Notes: It is comprised of stained glass and beveled clear glass. It has a round arch top and nine panels. The frame is a window frame.&#13;
David Hetland was born in 1947 in Fargo, North Dakota. He studied under Cyrus M. Running while he was a student at Concordia College before graduating in 1969. In 1965, he took over design and creation of the Concordia College Christmas Concert murals and completely took over the role of designer in 1975. Some of Hetland's works are internationally known such as the Jerusalem Cross that was commissioned by the ELCA and presented to Pope John Paul II. Another of his mosaics hangs in the entrance of the ELCA's churchwide offices in Chicago. At Concordia, he designed the president's medallion in 1980 and is also known for a mosaic mural in the library. David Hetland died on April 16th, 2006.</text>
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Library Foyer</text>
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                <text>Value: $1,000.00</text>
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                <text>Insurance:</text>
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        <name>#hetland.david</name>
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        <src>https://ccartcollection.concordiacollegearchives.org/files/original/4ab12fe12a765b0096b9e95ef5e8217c.jpg</src>
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                  <text>Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest.</text>
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                  <text>The Concordia College Art Committee</text>
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              <text>Earthernware</text>
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          <name>Physical Dimensions</name>
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            <name>Title</name>
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                <text>This is an abstract earthenware piece that consists of layered geometric shapes. These shapes consist of rectangular, conical and disk shapes. This is meant to be viewed in the round.</text>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>This is an abstract earthenware piece that consists of layered geometric shapes. The base of this piece is a rectangular shape with two half circles on the front and back of the piece. The main body of the piece is a large inverted pyramid shape. This inverted pyramid is intersected by two large disks, one near the bottom of the piece and mostly visible through the body, and one near the top of the piece and only partially visible through the body. On each edge of the body of the piece are two niches cut into the piece at about a 45 degree angle. The top of the piece is raised and has a half sphere cut out of the very top. The color of this piece is a mixture of a light metallic blue and a brown/red color.&#13;
&#13;
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            <name>Creator</name>
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                <text>Ross Hilgers</text>
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            <name>Date</name>
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                <text>Accession: 2012</text>
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                <text>||||osm&#13;
Offutt School of Business (Front Lobby)</text>
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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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                <text>Notes: My work is primarily inspired by the versatility of clay as a material. Clay ranges in consistency from a liquid to a dry solid, and these property variations influence both my content and compositional decisions.  Consequently, I attempt to reach the viewer through a variety of abstract topics and sculptural arrangements based upon how I can most successfully tap the potential of clay as a vehicle for visual communication. This artist statement is intentionally elusive because I want to give the viewer an entry point for reflecting upon my work without offering details that could potentially obstruct the creative thinking required of the viewer when actively involved in the process of contemplating visual art.&#13;
 Ross Hilgers</text>
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                <text>Condition Report: Excellent (2018)</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs:</text>
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                <text>Concordia College Art Collection</text>
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                <text>Donor: Gift of Tracey and Richard Moorhead</text>
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                <text>Insurance: </text>
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