7 10 428 https://ccartcollection.concordiacollegearchives.org/files/original/301bfb6822493392dd17f372cce919c1.JPG 9eafc1f4ebd6e6f09168e74f0650b4a4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil on Canvas Physical Dimensions The actual physical size of the original image 24x48 inches (image) | 30.5x54.5 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Munich Building Patterns Identifier An unambiguous reference to the resource within a given context 1111.210.10 Subject The topic of the resource This image depicts a cityscape. Description An account of the resource This image depicts of city scape that is separated into three distinct layers of buildings. The first layer of buildings, in the foreground of the image, shows a tall building on the far left that consists of a light gray roof, dark grey body with an orange portion at the bottom with the number 4 and an arrow above it. The three other buildings in this layer are light gray, dark drey and a light gray building on the far right with an orange window. The middle layer of buildings includes (from left to right) a small gray roof with a multicolored winidow, a green roof with a small black window, and orange roof with a light tan wall, a small portion of a black building, a light tan building, and lastly a brown building with a blue and orange window sitting on top of a gray support. The last layer of buildings consists of roofs. Two tall spires are visible as is a tall, gray, cylindrical building. A pointed roof stands out in the middle of the final layer of buildings. The background is painted a bright orange. Creator An entity primarily responsible for making the resource Running, Cyrus M. Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: This is in a two piece wood frame. Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Carl B. Ylvisaker Library; south wall of mezzanine Contributor An entity responsible for making contributions to the resource Donor: Value: $500.00 Provenance: Insurance: #oil.on.canvas #running.cyrus https://ccartcollection.concordiacollegearchives.org/files/original/b4321271b3b703e4c91bb9bcde790d9c.JPG 27d0b401465ed44a67afb519d0027b00 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Oil (on fiberboard) Physical Dimensions The actual physical size of the original image 19.5x37.5 inches (image) | 24x41.25 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Landscape Identifier An unambiguous reference to the resource within a given context 1111.216.10 Subject The topic of the resource Two stands of trees frame a snowy landscape with a road going back toward a town. A person stands next to a stand of trees on the left side of the painting. Description An account of the resource Five bare trees grow in the foreground on the left. A man in a red coat with blue pants leans against the one farthest to the right. His head is bowed. In front of him - to the right of the trees is a road that has a bridge and is leading into a town. On the right side of the painting is a farm building, most likely a grain bin or a silo attached to a building. More trees stand right next to it. In the background, there is an abstracted town with many buildings and more trees behind it. The sky is an overcast tan. Creator An entity primarily responsible for making the resource Mikkelson, Richard Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: This oil on fiberboard is in a two-piece painted wood frame. Richard, 'Rick', Mikkelson grew up in the Red River Valley and attended Concordia College in 1965. He graduated with a Bachelor's degree in art. He also earned an M.A. and an M.F.A in painting from the University of Iowa in 1967 and 1969. Much of his work his inspired by his life growing up in the Red River Valley and Breckenridge, or landscapes in Spain. Many of his works depict landscapes, figures or still lifes. While many of his works are representational, he also focuses heavily on abstraction and symbolism. He chaired the Art Department at the State University of New York - Plattsburgh for 10 years. Currently he works as a professor of drawing and painting at that school. Condition Report: Good (2018) Condition History: Maintenance: Beginning to fall out of frame. Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Academy - Religion Department - Room 215 Contributor An entity responsible for making contributions to the resource Donor: Value: $150.00 Provenance: Insurance: #mikkelson.richard #oil https://ccartcollection.concordiacollegearchives.org/files/original/c074b4b397208249159756317db1207b.JPG 46908a0964ff5a54503c82f616bec49e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 18 Carving, Wood Physical Dimensions The actual physical size of the original image 36.75x10.25x8 inches (Sculpture) | 18.25x12x10.75 inches (base) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Heron Identifier An unambiguous reference to the resource within a given context 1111.226.18 Subject The topic of the resource This carved-wood sculpture is of a heron. The bird is standing with its head facing the sky. It is slightly smaller than life size. Description An account of the resource The heron's beak is almost perpendicular with its black base. Its wings are folded at its sides, and its legs are straight. The carved ground it stands on is lower than the carved ground behind it; the latter which comes up to the feathering around the top of the heron's legs. The wood of which the bird is made of varies from a marigold yellow to a latte brown. Creator An entity primarily responsible for making the resource Buckley, Gene Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: The base/mount upon which the heron stands it made of black formica. On top of the base, in front of the wood, is a small placard which reads "Heron," and underneath it says "Gene Buckley '60." Heron actually is in quotation marks on the placard, but the rest is not. Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Library - Reference Room 110 - Near Main Collection Contributor An entity responsible for making contributions to the resource Donor: Value: $300.00 Provenance: Insurance: #3D #buckley.gene #carving https://ccartcollection.concordiacollegearchives.org/files/original/fc8d2c74c1348a370048e06d7a76d658.jpg 17053378aecdaf6e668ed99bcb14380e Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Intaglio (studio print) Physical Dimensions The actual physical size of the original image 23.5x35.5 inches (image) | 35x47 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource The Blind Lead the Blind Identifier An unambiguous reference to the resource within a given context 1111.228.29 Description An account of the resource This is a print that shows six figures. The three figures on the far left side of the piece are shown very dark, and the area around them is in darkness. They are reaching towards the fourth figure in the piece. The fourth figure is shown riding a cow and looking back towards the left. The last two figures are on the far right of the piece, in the lightest section. One figure is on the bottom right, reaching up, and only half in the image. The other figure is shown as reaching down for the figure falling out of frame. Creator An entity primarily responsible for making the resource Sampson, J. Frank Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Subject The topic of the resource This piece is a print that shows six figures, in varying shades of lightness and darkness. One of the figures is riding a cow. Source A related resource from which the described resource is derived Notes: This is in a wood frame with glass. * The piece will be on loan to the North Dakota Museum of Art until fall 2019. Frank Sampson was born on a farm in North Dakota in 1928. His first relationships, and some of the greatest inspirations for his work, were with animals on his families farm. He received an edcation in art, including a Master's Degree from the University of Iowa. He also won a fulbright scholarship to Belgium to exhibit his work in Luxembourg. He spent a year in Japan that also inspired many works. After 37 years of teaching at the University of Colorado, Boulder, he retired. The animals in his works are always participants in the human activity of the piece, rather than just bystanders. The also cites the Grimm's fairy tales as a large influence on his pieces. He has stated that their is nothing grim, or idyllic about the animals in his pieces, rather they participate as humans do in human activities. His work has been exhibited all over the country, and in many countries around the world. Frank Sampson Retrospective opens at the North Dakota Museum of Art July 18 and continues through October 7, 2019 Thursday, July 18 at 5 pm -- The North Dakota Museum of Art will open a long-awaited retrospective exhibition by native son Frank Sampson. For three decades Mr. Sampson - now ninety-one years old - taught painting and printmaking at the University of Colorado in Boulder where he continues to make his home. He returns for a month each summer and winter to his North Dakota family home in Edmore. He flies into Devils Lake from Denver carrying a big roll of Arches paper. Up to a dozen new paintings rolled up under his arm go back to his Boulder studio to be mounted and framed. A peek preview of many of these same paintings can be had at the kick-off of the Museum's Concerts in the Garden on Tuesday, July 16th. Mr. Sampson will be present at the July 18th opening. When asked about his paintings, Mr. Sampson says, "In looking for past experiences and antecedents that may have influenced my work as an artist I think immediately of my childhood on a farm near Edmore, North Dakota surrounded by pigs, chickens, horses and cows as well as a story-telling mother who entertained and rewarded her five sons with vivid adventure stories. Her wonderful tales were full of fantasy and frequently animals played major roles." Mr. Sampson has seen much of the world and many more animals since leaving Edmore for Concordia College in Moorhead. With his BA in hand he moved on to Iowa City in 1950 and emerged two years later with his MFA in painting and printmaking from the University of Iowa. Two years in the army followed. Under the G.I. Bill, Mr. Sampson returned to Iowa for three years of postgraduate work under Mauricio Lasansky, the groundbreaking and world-famous master printmaker (1956-50). Wherever he studied, however, he took extra classes in art history and that led to his successful Fulbright application to study the paintings of Hieronymus Bosch and James Ensor in Belgium (1959 - 1960). Upon his return to the States, he was invited to join the Art Faculty at the University of Colorado in Boulder in 1961. He never left but retired in 1990 as a full professor. His childhood interest in the farm animals - his job was to feed the chickens and gather the eggs - like his love of art history continues to absorb him. Bears and Brahman cows, elephants, storks and pelicans, and giraffes and foxes join his earlier cows and horses, pigs and chickens that peopled his earlier paintings. Weaving in and out of his visual stories is the French character, the sad clown Pierrot identified by his white painted face and pointed white hat. Pierrot is a stock character in nineteen-century comedies and pantomimes. In Mr. Sampson's world the humans and the animals are all creatures interacting among themselves. According to Colorado critic Michael Paglia, "Legendary Magic Realist painter Frank Sampson is still making magic at age ninety plus. His signature style is a soft, classic realism that has a kinship with the Old Masters, with lots of umbers and ochres lending the paintings a sense of dark mystery, like a Rembrandt. But this traditional mood is broken by the preposterous - or at least unlikely - subjects that he addresses and this is where the "magic" part of magic realism comes in. His depictions might be found in the clearing of a deep wood, springing up around a curve, or at some incomprehensible event. Only the painting tells the story." Artists are remembered or forgotten 1) if influential public institutions exhibit and collect their work, and 2) there is a seminal publication about their artwork. Frank Sampson's art has been seen in an impressive diversity of venues. A shortlist demonstrates the cross-cultural appeal of his paintings: the United States Library of Congress; Belgium, Brazil, Tokyo, the Denver Art Museum; the Nelson-Atkins Museum, Kansas City; the Berkeley Art Center; the Joslyn Art Museum, Omaha, Nebraska; the Minnesota Museum of Art, St. Paul; the Boston Public Library. Except for small brochures, however, no such publication exists for this ninety-one-year-old artist. Importantly, the North Dakota Museum of Art is mounting this retrospective and will acquire a significant collection of paintings and prints, all gifts from the artist. This will establish his archive in North Dakota, the mandate of the State Art Museum, named by the state legislature in 1985. It will also publish the definitive book of Mr. Sampson's art and life, which will assure his place in the history of art on the northern plains. Eric Hylden has traveled twice to Boulder with Curator Laurel Reuter to photograph the work for the publication. Hylden's father was Mr. Sampson's Concordia College roommate. Others who have work with the Museum staff organizing the exhibition are photographers Mark Strand of Moorhead and Paul Gronhovd of Grand Forks. A smaller version of the exhibition will tour North Dakota through the Museum's Rural Arts Initiative into 2022, without charge to the hosting communities. Already it is slated to go to Minot in January 2020, The International Peace Gardens in the spring, and Minot State in October. https://www.youtube.com/watch?v=DHSqYMFVWn0 Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant |3|0.0000000|0.0000000|osm ISC: Near ISC #208 Contributor An entity responsible for making contributions to the resource Donor: Value: $5000.00 Provenance: Insurance: #itaglio #sampson.frank https://ccartcollection.concordiacollegearchives.org/files/original/121dbcc0bfdc5da434f7d4a40d2567fb.JPG da692d680ab88d073753f2d7b4b19289 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data 18 Woodcut Physical Dimensions The actual physical size of the original image 9x5.5 inches (image) | 17.75x14.25 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Night Rites Identifier An unambiguous reference to the resource within a given context 1111.229.18 Subject The topic of the resource The art object is a woodcut print. There are three dark figures standing on a snow covered field. Description An account of the resource In the foreground, there are three dark silhouetted figures with white accents. They are standing on partically snowy grounds with dark patches of black. In the background there is a dark blue sky. Creator An entity primarily responsible for making the resource Aasland, Leroy Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: This is in a wood frame with glass. Leroy Aasland graduated from Concordia College in the class of 1957. Condition Report: Okay (2018) Condition History: Maintenance: Falling out of frame Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Library - Mezzanine stairs Contributor An entity responsible for making contributions to the resource Donor: Value: $75.00 Provenance: Insurance: #aasland.leroy #print #woodcut https://ccartcollection.concordiacollegearchives.org/files/original/846a126326ee66f22dc749c6e1f6360f.JPG 5bb749b805b49ef4f6eb73ed4abb79c4 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Mosaic Physical Dimensions The actual physical size of the original image 36x24 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Soli Deo Gloria Identifier An unambiguous reference to the resource within a given context 1111.238.50 Description An account of the resource The sun, which is yellow and marigold, has the star of David in reds and orange centered in it. A ladder in colors similar to the star leads up to the bottom of the sun. The sky behind it, on the left half of the piece, gradates from white at the top to yellow and oranges at the bottom. At the bottom, the sky meets a green hill. Water flows in front of the ground, grayer towards the left where the ladder begins and bluer towards the right, where fish, one mostly blue, and three yellow with orange, swim. In front of the water ""Soli Deo Gloria," is written in red caps in a bar of black. Right above the fish, standing on the edge of the hill in front of yellow, orange and red tiles, is a brown altar with a mostly white cloth drapped over it. Behind that, is a cross. The cross itself is red but with a circle of gold around it. Behind the cross is a tree. This tree is half onto the yellow sky, and half onto blue tiles on the right. These blue tiles are done in vertical rows of varying shades of blue. They touch the little patch of yellow and orange ground, instead of connecting to the water. The Tree is full of leaves that together make a circular shape. The leaves in the yellow sky bear fruit that varies in yellows and oranges. Creator An entity primarily responsible for making the resource Hetland, David Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Subject The topic of the resource This mosaic uses reds, oranges, yellows, greens, blues, browns, pinks, white, grays, and black on its tiles. These tiles form the images of a tree, a ladder, a sun, a cross with an altar with a cloth over it in front of it, waves, and land. Concordia College's Latin motto, Soli Deo Gloria, is at the bottom. Source A related resource from which the described resource is derived Notes: It is in a painted angle iron frame. David Hetland was born in 1947 in Fargo, North Dakota. He studied under Cyrus M. Running while he was a student at Concordia College before graduating in 1969. In 1965, he took over design and creation of the Concordia College Christmas Concert murals and completely took over the role of designer in 1975. Some of Hetland's works are internationally known such as the Jerusalem Cross that was commissioned by the ELCA and presented to Pope John Paul II. Another of his mosaics hangs in the entrance of the ELCA's churchwide offices in Chicago. At Concordia, he designed the president's medallion in 1980 and is also known for a mosaic mural in the library. David Hetland died on April 16th, 2006 Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Library - 4th Floor - Archives Contributor An entity responsible for making contributions to the resource Donor: Value: $1,000.00 Provenance: Insurance: #hetland.david #mosaic https://ccartcollection.concordiacollegearchives.org/files/original/fd11528669c23fb9d2691302ca1db9bf.JPG 613bc6fd2c9aaabe1e4b3aa6a3f1966a Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Relief Sculpture, Painted Physical Dimensions The actual physical size of the original image 40x15x9 inches Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Jagged Edge Identifier An unambiguous reference to the resource within a given context 1111.291.23 Subject The topic of the resource This is an abstract sculpture. It consists of sharp, triangular components that are organized into a C-curve. Description An account of the resource This is an abstract sculpture. It is comprised of sharp, triangular components that are placed against one another in a unifying direction and a dominant triangular figure at the head of the sculpture. The triangular components begin small at the top end of the sculpture and gradually get larger as they move down towards the head of the piece. The sculpture is organized into a C-curve. Creator An entity primarily responsible for making the resource Berg, Christina Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: Direct mount. The piece is part of the Art Department Collection. Christina Berg graduated from Concordia College in 1990 with a Bachelor of Arts degree. Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Library - Reference Room 110 - Near Second Floor Contributor An entity responsible for making contributions to the resource Donor: Value: $150.00 Provenance: Insurance: #berg.christina #metal #sculpture https://ccartcollection.concordiacollegearchives.org/files/original/0016e1b5fc248cf20c936417e822ada0.JPG de21975882e62bba6d3536dd9d1ce150 Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Mixed Media Physical Dimensions The actual physical size of the original image 22X30 inches (image) | 29.25x36.5 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Prexy's Pond Identifier An unambiguous reference to the resource within a given context 1111.295.49 Subject The topic of the resource This is an abstract piece that depicts Prexy's Pond by using grays, brown, yellow, black and small smudges of blue to show the landscape and water. Description An account of the resource This is an abstract piece that depicts Prexy's Pond. A golden brown half circle sits in the middle of a large portion of gray. There are rectangluar black, etched lines in the foreground of the image parallel and perpendicular to each other. There is a large rectangle of black lines in the background of the image. Small spots and lines of black decorate the grey portin of the image. The top of the image is a solid black color. The rectangular black-etched lines are most likely sidewalks and buildings. Creator An entity primarily responsible for making the resource Ellertson, Gabriele Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: The image is contained in a metal frame with glass. Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Olin - Art Department - Room 108 Contributor An entity responsible for making contributions to the resource Donor: Value: $180.00 Provenance: Insurance: #ellertson.gabriele #mixed.media https://ccartcollection.concordiacollegearchives.org/files/original/0a6545f3e4565c076a626c19542ac796.JPG b117245fdbdb63b595ef95ecc97031aa Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Relief Print (woodcut) Physical Dimensions The actual physical size of the original image 16x37 inches (image) | 23.25x44 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource To Concordia College Identifier An unambiguous reference to the resource within a given context 1111.298.36 Subject The topic of the resource This piece is a woodcut print with two partial circles on the far right and left that frame straight lines and large, brightly colored geometric shapes. Description An account of the resource This piece is an abstract woodcut. The partial circle on the left is maroon in color. Inside are three stripes that begin orange and fade into a dark color. Around the bottom of each stripe are lines that represent ripples beginning in orange and moving to blue and maroon colors.The partial circle on the right is white with a fuchsia trim. A pink triangle and two yellow triangles point towards each other in the center of the piece, with black between them. A blue stripe of color outlines the left most partial circle and continues across the top middle of the piece before moving down on the right side of the piece, framing the middle of the piece. The right side of the piece, around the partial circle, are stripes of light yellow and teal. The background of this portion transitions from orange into blue with small, light, erratic lines decorating the open spaces. Creator An entity primarily responsible for making the resource Kunc, Karen Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: The piece is in a metal frame with glass. This woodcut is part of the Concordia Art Department Collection. Karen Kunc was a part of the Concordia College class of 1988. From the artist's statement: "My work as an artist/printmaker addresses issues of the landscape and our natural surroundings as direct influences from my Nebraska heritage, my daily experiences and viewpoints in the landscape of the plains and from extensive travel, and as artistic interpretation and contemplation on larger issues of the eternal life struggle, of endurance and vulnerability, growth and destruction." “My prints suggest extremes of weather and natural forces at work, a sense of the micro/macrocosm, set against landscape or space, both wild and cultivated, intimate and unknowable. I am interested in the span of time it takes to wear away a canyon, build a mountain, the erosion forces that continually wash onto the plains, forming the earth, and, ultimately, shaping our world. My hope is that these larger concepts are provoked by viewing my work with a poetic and intelligent sense of wonder." “My symbolic images are derived from a rich mix of instilled influences, born at home, and greatly expanded and contextualized from seeing life lived the world over, my experiences and past work, and issues in contemporary art. I recognize a host of associations that flow out of my work and are research interests for me - from nature and science, spiritual and religious thought, art historical and modern icons, immigration narratives and native myths.” Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Olin - Art Department - Room 202 Reception Area Contributor An entity responsible for making contributions to the resource Donor: Value: $500.00 Provenance: Insurance: #kunc.karen #woodcut https://ccartcollection.concordiacollegearchives.org/files/original/3382c84465d7150d6e89ebbd98b69707.JPG 4ae0909218f069178157d6e6b44da53c Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource Concordia College Art Collection Description An account of the resource Mission Statement: The Concordia College Art Collection is an educational and cultural component of the College. It includes significant and valuable works that reflect a variety of artistic creativity and in part the College’s Norwegian heritage and location in the Upper Midwest. Creator An entity primarily responsible for making the resource The Concordia College Art Committee Still Image A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials. Original Format The type of object, such as painting, sculpture, paper, photo, and additional data Etching Physical Dimensions The actual physical size of the original image 17.5x11.5 inches (image) | 26.25x20.25 inches (frame) Dublin Core The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/. Title A name given to the resource In Memory of Lotti Identifier An unambiguous reference to the resource within a given context 1111.299.29 Subject The topic of the resource A dark and realistic tree sits in front of a pair of ghostly, nearly caricature arms and hands in this etching. Description An account of the resource The trees branches are completely bare. Everything around it, its background, the hands , is pale. The arms are long, wearing dark sleeves, with white cuffs peeking out at the ends. The left wrist is bent upward at a 90 degree angle, with palm open, flat except for the thumb stretching a little farther back. The right hand holds up the thumb, pointer, and middle fingers with the palm facing the opposite way of the other hand. There appears to be a small hill behind the tree. Creator An entity primarily responsible for making the resource Marx, Robert Publisher An entity responsible for making the resource available Concordia College Art Collection Rights Information about rights held in and over the resource To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624. Source A related resource from which the described resource is derived Notes: It is in a silver metal frame with glass. Marx was part of Concordia's Class of 1979. The piece is part of the Art Department Collection. Robert Marx was born in Nordheim, Germany in 1925. He studied at the University of Illinois and Concordia College and traveled to Germany, Austria, Italy, Switzerland and France during his life time. During his travels he received much inspiration for works later in his life. Currently he lives in New York. From the artist's statement: "The people I draw, paint and sculpt personify the human condition. They are also the people we see around us, every day. I have favorite themes. I am troubled by: the arrogance of power, the exclusivity of the institutions of church and state, the abuse of and by both spouse and child, and our own and others' personal fears and insecurities... I work not only for myself, but also to make a connection with you." Condition Report: Good (2018) Condition History: Maintenance: Installation Needs: Coverage The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant ||||osm Olin - Art Department - 1st Floor Corridor near Room 102 Contributor An entity responsible for making contributions to the resource Donor: Value: $500.00 (2019) Provenance: Insurance: #etching #marx.robert