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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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Advancement Center: In hallway near office 120</text>
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Shelf: </text>
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Cyrus Running (1913-1976) was born in Veblen, South Dakota. Cyrus Running began teaching art at Concordia in 1940 where, for a number of years, he was the only faculty member in the department. Running had obtained a Bachelor of Arts in history and biology from St. Olaf College, studied at the Yale School of Fine Arts, and earned his Master of Arts degree from the University of Iowa. Before arriving at Concordia, he taught high school music and history in Wisconsin and at the University of Omaha. &#13;
&#13;
In addition to developing Concordia’s Art Department, carrying a full teaching load, and serving as the department chair, Running also directed area choirs and painted houses and signs. Running showed skillful devotion to any task put before him. He designed the Concordia Christmas Concert backgrounds for thirty years and his murals can be seen in various buildings on campus. In addition to being a highly talented artist, Running also possessed great musical ability and humor, which he combined in a parody titled “I Hate Music” that was performed for civic, college and church groups. In 1974, the campus art gallery was renamed the “Cyrus M. Running Art Gallery.” </text>
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                <text>This is a linocut of two ships facing a glacier in water. Both of the ships are a dark brown in color but the lines between the boards are visible in the details of the ship. The ship on the right sits more in the foreground than the ship on the left. The water is a light blue in color with lines of white across the top to show movement. A reflection of the glacier is shown on the water. The glacier sits on the horizon line of the piece. It is darker blue in color than the water and the tops of the glacier are tipped in white. The sky of the piece transitions from a darker blue at the bottom to a lighter, clearer blue at the top. This image is contained in a circle at the center of the piece. The border around the circle transitions from a black at the bottom to a light grey at the top.&#13;
This is in a silver metal frame with glass.&#13;
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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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Jarle Rosseland was born in Bergen in 1952. His debut into the art world happened in 1970 at the Norwegian National Annual Autumn Exhibition when he was 18 years old. Since then he has become one of Norway's most prominent artists. He is most known for his style which consists of crisp lines, fluid movement, and interesting contours all of which are coupled with bizarre colors. He has stated that his inspiration and style are based in traditional Norwegian landscape and folk art. He has over 300 exhibitions all over the world, 32 of which are in national museums.</text>
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Fjelstad-Frida Nilsen Lounge</text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at  cmortens@cord.edu</text>
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                <text>This print is a woodcut of a church and cemetery. The church is in the background of the image, but takes up a large portion of the top left of the image. On the left and right sides of the print from the top to the bottom our trees That appear to be in the foreground. The church is sitting on a hill and the there is a path leading from the bottom left corner up to the church. The hill is red and there are black and red gravestones on the bottom right of the image. </text>
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ISC: Outside of #203</text>
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                <text>This piece comes in two sections and is a mixed media sculpture that displays cups and pots.</text>
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                <text>This sculpture is a mixed media piece that is displayed in two sections. The piece is separated into three sections, and has five different levels of color, four of which are thin and one which is large. The first section is only consists of the levels of color. The second section has a coffee put in the middle. The third section has two partial coffee pots depicted int he middle and a small piece hanging beneath it which displays coffee cups. The second piece is also separated into three sections. The first section has a coffee pot displayed in the middle, with two small pieces hanging beneath the piece. The middle section is larger than the sections on either side of it. It displays two partial cups in the middle with a dark media surrounding the image. Four small pieces hang below the section, two of which contain cups. The third, and last, section displays a coffee put and has two pieces hanging beneath it.</text>
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                <text>Marth, Mike</text>
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                <text>Notes:List of donors: Scott and Kari Anseth, Erin Conroy and Paul Boettcher, Todd and Jennifer Lee, Catherine Murphy, Eric and Liz(Schultz) Nuytten, Heather Riddle and Michael McCue, and Peter Schultz and Darcie Deboer</text>
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                <text>Installation Needs: </text>
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                <text>Insurance: </text>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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                <text>2008.24.01</text>
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Knutson - Stairway leading to Morrie-Jones Conference Center</text>
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                <text>Notes:  This oil on canvas is held in a two-piece wood frame.</text>
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                <text>Maintenance:</text>
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                <text>Installation Needs: </text>
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                <text>Concordia College Art Collection </text>
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                <text>Value: $350.00</text>
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                <text>Provenance:</text>
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                <text>Insurance: </text>
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            <name>Rights</name>
            <description>Information about rights held in and over the resource</description>
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                <text>To inquire about permissions or for use, contact Chris Mortenson at cmortens@cord.edu or the Art Office</text>
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            <name>Identifier</name>
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                <text>1111.178.10</text>
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Fjelstad--Office BO2B</text>
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                <text>Evening Rain</text>
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                <text>This image depicts a group of stylized sheep moving rightward across its canvas.</text>
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&#13;
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Knutson - Atrium (near south entrance to the Centrum)</text>
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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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                <text>Notes: Growing up in the Midwest afforded Erik much of the psychological and visual imagery for his art.  His artistic images have also been fueled by his fascination with mythology.  The images that have evolved have the feel of painted dreams.  They speak of transitions, leaving one place for another and then returning to the same familiar place.  Whether the images are troubled, turbulent, calm, tender or playful, his work creates a sense of the sublime.   He provides an experience of being a part of something much greater than ourselves.  To that end, animals, windows, houses, water, boats, chairs and nature comprise a major part of his imagery.&#13;
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                <text>Installation Needs:</text>
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                <text>Insurance: </text>
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Academy 3rd Floor Hallway</text>
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&#13;
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Lorentzsen Academic Affairs Office room 210</text>
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                <text>Insurance:</text>
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&#13;
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Old Main 109A&#13;
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                <text>Concordia College Art Collection</text>
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            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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In Storage</text>
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Shelf A</text>
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                <text>To order a high resolution digital file of this image, inquire about permission, or for information on prices, contact Heidi Goldberg at Goldberg@cord.edu or 218-299-4624.</text>
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            <description>A related resource from which the described resource is derived</description>
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                <text>Notes:</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>Donor:</text>
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                <text>Value:</text>
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                <text>Provenance:</text>
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                <text>Insurance: </text>
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        <name>#aquatint</name>
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        <name>#archepol.keith</name>
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        <name>#print</name>
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